WHAT HAPPENED TO SONUS FABER?


I look at the new speakers.  They look cheaper and they are not as musical.  It’s like they are trying to be what they are not. What the hell happened?
calvinj
calvinj,
Do you own a pair, or is this just another one of your negative threads? At least the other two were removed.
I auditioned Amati Traditions couple of months ago.....I found them to be very musical. Exquisite build quality, pin point imaging and just the right amount of bass. 

The source components were ARC LS28, VT-80 and TT (sorry, forgot the name of TT). My dealer also had McIntosh setup (C52, MC601’s) but I preferred the ARC components feeding the Amati’s. 
I had on loan a pair of Extrema, owned by an importer friend of mine. After several months, I realized they were one of the greatest speakers I had the pleasure of having in my listening room. They loved the juice. My 2 best powerful amps at the time, a Krell KSA 100, and a Threshold Stasis 2 , did ok, but it wasn't until I acquired a Crown Macro Reference, did they come alive and provide me with some of the dynamics I heard from my horns ( still not the same ). But, a wonderful speaker. Enjoy ! MrD.

The real magic exited the company with Serblin's departure (he made a few more models on his own), but it lingered on for while, ever diminishing.  I auditioned the Veneres and thought them engineered to impress in a 2-minute hearing, but sub-par for the long haul.  Time will tell if the Sonnettos are the start of a come-back.

There's an auteur theory of movie-making; look at how many brands of speakers depend for their excellence on a single designer.