Technics Turntables...really???

I own a 1600MK2, and vastly prefer it to any of the more expensive "audiophile" turntables I have previously owned. For whatever reason, the Technics SL** decks have a reputation in the "serious" home audio community of being low quality DJ fodder, whereas the reality is that, especially when modded with better suspending feet and a silicone arm damper trough, they sound fabulous and very audiophile, if you will. Direct drive gives you a real leg up compared with belt drive in terms of accuracy, particularly when you have a quartz motor. I have zero ambition to change decks at any time. And trust me I am very fussy and have a far more costly amp and speakers.

Always remember that the 1200 was developed as a hifi deck. It so transpired that DJs seized on the feature set.

Technics tables got me back into vinyl and audio. I imagine I am not the only one.

A friend gave me an SL-220 about 6 years ago. I used it for a couple of years, and with a new belt, some dollar store plasticine inside, and a decent Grado 8MZ stylus on it, it sounded quite decent into a thrift store NAD 3020.

I will always have nice feelings when I see the Technics name, because of this. I still have a relatively modest system (Thorens TD160 with a Benz Micro Wood SL and Benz PP1 preamp) but to me it is cherished and sounds exquisite.

With the title and put-down framing of its question, this to me is a provocative post especially given that this Analog forum has plenty of recent posts on the very good SQ and value proposition of a number of Technics turntables old and new. The OP would just have to scroll down a little to find them let alone use the simple search function. So I can only guess at the motives of the OP and on the circumstantial evidence they do not look positive. 

I have never owned a Technics table but I have recently started reading threads here on Audiogon and I find them really refreshing, enjoyable & informative. People are passionate and talking about SQ and the great value proposition of these tables. And thanks to @audiofun on the "Upcoming Technics SP-10R" thread I learnt about SMPS and their detrimental effects on my hi-fi sound.

I can think of nothing better than products like some of the Technics tables appear to be that outperform tables at multiple prices, and all this with a household name Technics. I am a confessed reverse snob. When I am asked about my rig I do enjoy answering to those snobs that are in this hobby that I have Pioneer speakers and seeing quite a few people look down their noses at me. I am yet to hear any speaker that I would prefer to my Pioneer Exclusive 2404's. I was in a meeting a number of years ago with a "high-powered" NY banker who kept on staring at my tourbillon watch throughout the whole meeting. I ran into him after and he asked me what brand it was. It was with great delight that I told him that it was a stainless Seagull made by a master watchmaker in China and that it cost me US$3k new. He looked away in disgust having expected it to be a US$40k Swiss brand.

And for someone like me who has been in this hobby for decades and seen the death and rebirth of vinyl, and who has never been able to approach the overall SQ of my vinyl rig with digital, it is great to see Technics come back into the market with some well designed and priced gear and to know that this means that there are kids coming into this wonderful hobby that are appreciating SQ over convenience.

bluewolf,

Do you still have your AFI Flat?  Do you still use it and like the results of the Relax function?

Rather than an outer ring; which being futzy to deal with, I have been looking at the AFI Flat again. A new improved model is due out soon.

No doubt in my mind that Flat records play and sound better. It is the Relax Function that I am most interested in. If you still have it and use it regularly; you have a lot of time and experience with it .

Would be very interested in your review / commentary on it.

Thank You

Norbert