Music reference/ audio research / vpi


Looking for suggestions. Have a Music reference rm-200, and an audio research LS 16. Also have a VPI classic 4/proteus transfiguration. Wondering how the RM – 200 would match up with an audio research ref 6, an audio research ref 3 phono, And maybe Ariel acoustic 7t, or Devore gibbon X? Looking for suggestions. Live in the sticks with very little opportunity to audition much of anything!  While I love my audio research, sometimes I wish there was just a bit more tubey richness.  The Gibbons are supposed to have a more organic sound I’m told…? The phono three should be more compatible with the transfiguration…My phono 5 is not compatible…Trying to develop a plan and go at this one piece at a time… Also wonder about the vac 300.1…? Would think the ref phono three should be my next purchase…?
128x128fanotunes
I've not owned an Audio Research preamp, so I couldn't tell you if it would be compatible with the RM9.  I use an Aesthetix Calypso Signature and love it.  You can buy the standard Calypso used for around $2,500. 
@fanotunes, I too had the ARC LS-16/RM-200 combination (though my RM-200 is a Mk.2), and replaced the ARC with an EAR 868L. Muchas betta. The EAR is a real tube pre-amp ;-).
Thank you for the feedback! I have made a move on the harbeth 40.1’s mentioned earlier. Will get those home and have a listen to those for a bit before I make a move on a preamp. I think they will help with the more relaxed organic sound as I am looking for. I wonder if it’s better to stick with a more neutral pre-amp and then affect the sound with the amp or vice a versa. If I go with a more neutral pre-, I can then hear more of what the components up and down stream are doing? Though, I have read good things about the Ear and will have to read up on the aesthetix since have not heard of it before. Thank you for the suggestions.
Congrats. Your RM with the 40's should be a stellar combo.
I have had an Aesthetix Calypso and enjoyed it until a friend asked me if the residual noise from it bothered me? I didn't understand his question until he brought over his pre to replace it for an audition. Then I heard what he was referring to. Once heard it is easy to pick out and I was no longer able to keep it in my system and immediately replaced it.  I'm not sure if this is present in the signature models but it has been repeatedly heard in several std models. I have been questioned about the tubes that I was using. I have a VERY large collection of tubes and changing the tubes did not correct the problem.
While your results may be different, I would encourage an in home audition before purchasing one. I feel that for the same money there are much better pre's out there.
Keep us posted on your thought on the 40's.
fanotunes,
I guess you picked up the nice pair of 40.1's recently listed for $6,700?  If so, you got a great deal on those puppies!  I think you will be amazed how organic and natural they sound.  I've heard other's refer to Harbeth's 40 series as their "desert island" speaker... as in if they had to pick one speaker to have if stranded on a desert island for life, the big Harbeth's are what they'd choose.

I'd stick with a neutral preamp and experiment with other tube amps over time to figure out what suits you... or even better, keep your RM 200 and buy a second more tubey sounding amp to have as a alternative when the mood strikes you to change things up.  This is what I do.  There are many great tube amps in the $2,000 to $4,000 range, including the two that I currently own.