Devor - KEF - Vienna Acoustic – Wilson?



Hello all!


KEF Blade IIe, Devor Gibbon X, VA Listz, WAS Sabrina.


These are not the top items on the short list, but they sure do make a lot of sense and keep occupying my ‘spend thrift’ thoughts for speaker system solutions, among a couple others. I listed them in alphabetical order, not necessarily in order of personal preference.


These loudspeakers seem as diverse as they are similar in cost to performance ratios given the subjective press they have recieved.

With the exception of the Sabrina and Gibbon X, Numbers are fairly even across the board with their sensitivity, and impedance. in terms of size and weights, respectively they appear close there too. Except for the Blade II, pricing is close as well.

Designs differ and esthetics are all seemingly very nice to outstanding.


I’m asking here for any experiences someone might have with any of these speaker’s individual voices, house sounds, and esthetics, if or where applicable.


I’m simply trying to cut down the list for which ones really deserve going out of the way to audition. Or wait for in terms of build, or possibly buying used.

Although I could definitely go either way powerwise, tubes or SS, tubes are ordinarily a preference. It does depend on the speaker’s ‘voice’ and voltage needs/demands, however.


If anyone would be so kind as to add their thoughts on any of these choices unique characteristics that would be amazing.


Examples:
Demands great up stream components. Difficult to place? Needs loads of breathing room? Limited in the bottom octave (s) ?

Neutrality? Hot up top? Warm? Dark? Loose bottom end? Transparency? Imaging? Limited depth? Etc.

Hard to drive?   Not normally tube friendly? Stay away from SS?


Tremendous gratitude for any insights. Thanks much.
blindjim
@blindjim 

Jim, totally agree with you on top notch electronics enabling average speakers to sound "outstanding". I've heard it a few times and have realized that to short change yourself on quality components just short changes you on sound.

@steventoney

Thanks for coming in and providing your insight. Much appreciated. Looking forward to hearing more about the Gibbon Xs.

@steventoney
Yes indeed. Thanks very much for any and all feedback on either harbeth or devore speakers. Especially the Harbeth 30, 40, and Gibbon X and what amp pushes them in how big a room.


@pokey77
I tagged into that thread you mentioned. Thanks much.
Reading thru it I’m surprised no one interjected the notion of a Prima Luna INT as an option. The latest ver I read about says it is remarkably flexible with tube rolling. Thought it had a phono section too. $5k new. ## the distributor is out there on the left coast too in upscale audio.

Another thing took me while reading thru the posts there, analog. Watching youtube vids of mike Fremer on TTs got my attention. The associated ancillary gear needed for TTs puts me back off. Fremere’s input and setup videos were very interesting at any event.

It is undeniable fact. Without an exemplary well heeled signal speakers just don’t matter how great they are. Otherwise, we would be buying high dollar speakers and using androids and iPhones to run them or using any turntable and something like a Bose radio. Or Sony boom box.

It disturbs me too the speaker first club saying the best place is to start there always.

Nearly anything in the MSRP $5 to $8K range especially the popular sorts should be a fine enough starting place. If used, all the better. maybe. They should be decent enough especially in the mids and upper ends to hear the upstream changes or additions when where ever applied!

Then sell them when you’re ready for bigger and or better. Simple.

Then you have the amp you like a lot and just tote it along to audition speakers if home listening is out of the equation and the shop has nothing remotely similar to your’s..

Another reason for speakers being the final destination is speaker tech. it moves nearly as quickly as does digital tech. four to five years out your units are bordering being outdated. Although it doesn’t mean ‘time to buy the latest greatest” either.

There is an arguable trap we lay for ourselves with supposed ‘keeper’ speakers. When or if, its time to sell them.

Do ‘em like cars? Or do ‘em like schooters? Sell em off every two years or so, or keep ‘em regardless.

Both perspectives cost money. Sadly, quite often, one costs much more.

It appears we never really own our gear, we simply rent or lease it.

Unless of course it is tube amps. In that game we only have to rent the tubes.

@blindjim 

Hey Jim,
I've heard several Prima Luna integrateds: the Prologue Classic and the Dialogue Premium HP. Both are quite good. Check out this thread for tons of comments. https://forum.audiogon.com/discussions/considering-switching-from-audio-research-to-primaluna-troube...

Enjoy reading all the comments but look for Kevin's comments (upscaleaudio). As you'll notice from reading the thread, I was at this shoot out. There were three integrateds in the shootout:  the Prologue Classic, Dialogue Premium HP, and an Audio Research Vsi75. In a blind test, I chose the  Dialogue Premium HP with the ARC a very close second. In fact, they all three sounded much more similar than they did different. The three integrateds were played through Sopra 2s and it was the first time that I've heard that speaker sound good. If you have any questions, LMK.

pokey77 > The three integrateds were played through Sopra 2s and it was the first time that I've heard that speaker sound good.

Blindjim > tubes usually make so so sounding speakers sound far better. Usually. If they can push them. (see my latest thread on mega watt amp & low imp spkrs what’s this all about and why). The current conspiracy to eradicate demonstrably, lower powered amps of any kind by speaker makers is seeing to that.

During the shoot out, did Kevin ever stop talking? Back in ’05 to ’07 as I was getting rid of my biases or just setting them aside for a bit, and looking into tubes I called upscale for info on tubes. Got to talk… er, listen to KD about them. Albert Von S was the same way. They talk. You listen. Maybe they will answer your Q. maybe not. However, it was usually interesting, but frustrating at the same time. Lol

I’ve listend to Deal’s youtube vids on a few things, mostly PL. youtube is a new venue IMO for gathering info from the ‘horse’s mouth’ as you get to hear designers and equipment makers , forum promoters, reviewers, etc. I like nearly all I’ve seen so far. The PSA input is very cool.

I suppose an item which concerns me on this amp & speaker stalk, is control of the bottom end on what ever speaker I like in all other respects. I’m possibly over emphasizing this as I feel adept control of the drivers a key to immediacy and realism.

That said, it worries me to keep 100wpc tube amps or less on the top part of the short list as I look at speakers. Sure, even substantially less watts will make most speakers produce noise. At some level. Some will sound decent too. A few given better matching will sound very very good. Although, until the power amp can fully embrace the speaker satisfying its needs fully, the best that speaker has to offer isn’t gonna be heard…. IMHO.

Stanley turrentine has a track which leads by a bass drum softly tapping to the beat. With 93db 6 – 8ohm units and a BAT 250wpc amp it was easy to hear this intro. With 60wpc EL34 monos on the same speakers it was invisible.

Bob james group Fourplay > Heartfelt > café l’amore, a woman whispers very softly as the percussion sets the mood. She speaks only a few words. ‘Fire’ is distinguishable. After that the words are less intelligible with less power.

Subtle meaningless cues of course, but it points out my inference for revealing more sonics with better control or more power. Either scenario tube plus SS amp or tubes throughout was were equally enjoyable.

I simply found this facet eye opening.

Best case scenario? Have two power plants available. . others may say have two entirely different rigs. I doubt I want to get that deep this go ‘round.

For me, ARC is not an option just as Van der’s are not.

Sure would hate to lean on a desire and ignore the truth being dealt, not by the amp but by the speakers actual needs.

Ten trillion speakers s out there and its fascinating how quickly that herd is culled when preffs and power needs and room size, and esthetics and budget come into the mix, ain’t it? Sheesh. still more than curious as to what might be done as a prelude to

erecting the main rig by getting in an EL34 amp (40 - ??wpc) PL? and a pr of 2 way monitors, Andrew Jones? All of modest heritages. Its why I vie PL as a sincere option. Its versatility with rolling tube types alone would be very educational. Maybe fun too. My EGGO says the office needs its own decent outfit.

What’s the real kicker here? That fella in the INT thread you sent me to, listened to the Gibbon X in False church VA. I stayed there when I had to go to D.C. back in April. I never even considered that area for auditioning gear. Lol. Amazing. It was a quick in and out legal affair anyhow. My mind wasn’t in the right place. But now I know. DC is very ‘spensive. Whoa.


@blindjim 

blindjim - "tubes usually make so so sounding speakers sound far better" Pokey77 - I have heard the Sopra 2s with tubes a few times and solid state alot. I think it was Rogue tubes if I recall correctly. In any event, it was very analytical and shrill. I don't think any electronics could put the Sopra 2s in my wheelhouse. But who knows?

blindjim - "During the shoot out, did Kevin ever stop talking?"  Pokey77 - Actually, he just described what he was doing with setup, what the system consisted of, and then would leave the room while we listened to each of the three integrateds. He neither tried to influence the attendees or foist a sales pitch on us. It was very fair. After the shootout was over, he pulled the covers and showed us the internal parts. He did point out what items were in each component but did not try to sway our opinion of build quality; he let us each do that on our own. In the end, the two PL products were very musical and they essentially sounded like the twice-as-expensive ARC product. And you know I love ARC gear.

blindjim - "Although, until the power amp can fully embrace the speaker satisfying its needs fully, the best that speaker has to offer isn’t gonna be heard…. IMHO." You are absolutely correct.

As I mentioned before. My most recent demo was Sabrina's with Nagra Classic Amp/Pre + dCS Debussy DAC. Also substituted the D'Agostino Classic Stereo amp in the same system. With the DAG it seemed as if the bass was over damped and lost it's texture. With the lower-powered Nagra both my friend and I felt the music and speaker was better served. I don't think that the Sabrina's needed all the control the DAG could give.

I think the PL option is a very good choice. I'd go with the Dialogue Premium HP if PL is found to synergize with your speaker choice. It was very good. Would make a killer office setup but I can tell you the PL stuff runs plenty hot; Kevin did mention that PL stuff runs the tubes very lighlty vs. most of the competition. You may have seen the story where a PL integrated was left on for at least six months. Kevin had him send in the tubes and they tested at 90%. The proof seems to be in the pudding.

I'd like to hear the Gibbon X and the new Super Nine. Hoping to see some comments show up here on the 'Gon soon.

Happy Sunday and happy search Jim