Dear @cleeds : Good that agree with bill but in that regards are wrong because the Bill's facts/tests were not created to measures the stability in tonearms subject. So in this regards means nothing.
I'm not talking if you love unipivot kind of sound or if you do not, this is not the MAIN SUBJECT but its inherent unstability.
You said: """ that make them inherently flawed is just nonsense. """
but you did not say why is inherently flawed. Through my posts in this thread I explain those facts in a wide manner, read it again and please please come back here and tell us the why's of that " inherent flawed ".
You followed: """ There are reasons that unipivots endure in the marketplace... """
As several other audio " myths " is only because unknowledge level about. Almost all audiophiles are focus on what we like and not in what SHOULD BE that is where lives the MUSIC and audio hobby.
That " should be " is something that each one of us have to make and take a day by day learning path where in many audio/MUSIC subjects on that whole " should be " are almost unknow for many of us.
Not an easy process task that it's not only time consuming but dificult to understand and where we need to ask our selfs: what is happening down there, at each single step that any audio link makes its job.
In the case of the ridding cartridge job almost we have to analize as if we were the cartridge and have the vision of " our " job ridding those tortuos LP grooves and all what this means. We have to do first with out taking in count TT or tonearm but as a stand alone cartridge and from here analize what in the " hell " are the cartridge needs to fulfill its very hard task.
It's an overall process at each step, we have to go as deepest as we can with patience.
We have to analize at least from where comes the recorded information in the LPs. Well, that normally comes from what the recording microphones pick-up in NEAR FIELD not at 30m.-50m. from the music source as happens when we are seated in a music hall.
Those are incomplete examples to sooner or latter know how everything in audio SHOULD BE and improve our listening quality levels.
The rewards are fenomenal and we learn several things as if we discover a new audio world.
When we start to make the audio systems changes to achieve that " should be " we will know that in the past we were " wrong " and in this " new world " we really enjoy the MUSIC as never before.
I'm still in the quest to finish that " should be " and I can tell you that's worth to do it.
I'm not different of each one of you: I'm a MUSIC lover and I want to achieve the true best listening experiences through my home stereo audio system. Tha's all and as many other audio items unipivots can't help to approach that targets.
Anyway is up to each one of us.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
I'm not talking if you love unipivot kind of sound or if you do not, this is not the MAIN SUBJECT but its inherent unstability.
You said: """ that make them inherently flawed is just nonsense. """
but you did not say why is inherently flawed. Through my posts in this thread I explain those facts in a wide manner, read it again and please please come back here and tell us the why's of that " inherent flawed ".
You followed: """ There are reasons that unipivots endure in the marketplace... """
As several other audio " myths " is only because unknowledge level about. Almost all audiophiles are focus on what we like and not in what SHOULD BE that is where lives the MUSIC and audio hobby.
That " should be " is something that each one of us have to make and take a day by day learning path where in many audio/MUSIC subjects on that whole " should be " are almost unknow for many of us.
Not an easy process task that it's not only time consuming but dificult to understand and where we need to ask our selfs: what is happening down there, at each single step that any audio link makes its job.
In the case of the ridding cartridge job almost we have to analize as if we were the cartridge and have the vision of " our " job ridding those tortuos LP grooves and all what this means. We have to do first with out taking in count TT or tonearm but as a stand alone cartridge and from here analize what in the " hell " are the cartridge needs to fulfill its very hard task.
It's an overall process at each step, we have to go as deepest as we can with patience.
We have to analize at least from where comes the recorded information in the LPs. Well, that normally comes from what the recording microphones pick-up in NEAR FIELD not at 30m.-50m. from the music source as happens when we are seated in a music hall.
Those are incomplete examples to sooner or latter know how everything in audio SHOULD BE and improve our listening quality levels.
The rewards are fenomenal and we learn several things as if we discover a new audio world.
When we start to make the audio systems changes to achieve that " should be " we will know that in the past we were " wrong " and in this " new world " we really enjoy the MUSIC as never before.
I'm still in the quest to finish that " should be " and I can tell you that's worth to do it.
I'm not different of each one of you: I'm a MUSIC lover and I want to achieve the true best listening experiences through my home stereo audio system. Tha's all and as many other audio items unipivots can't help to approach that targets.
Anyway is up to each one of us.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.