Rushton's DIY approach to ultrasonic record cleaning published by Positive Feedback


Over the past several months I’ve invested a fair amount of time exploring ultrasonic cleaning because I’ve fallen way too far behind in my record cleaning. With over 6000 LPs, I needed a faster way to clean than my trusted multi-step manual wet/vac cleaning process. That manual process got the best results I’ve ever found, but I was not keeping up with my collection and it is just painful to me to play a record that I’ve not cleaned.

In exploring ultrasonic cleaning, my hope was to find that I could complete multiple LPs in a single US cleaning cycle and greatly speed up my rate of cleaning records. My goals were to FIRST do no harm and then SECOND see how close I could get to the results of my manual cleaning regimen.

My past experiences with ultrasonic cleaning demonstrations were completely underwhelming. What I heard did not approach the excellence I was achieving with my multi-step wet/vac cleaning regimen.

What I’ve learned, and now apply in my new ultrasonic cleaning regimen, are multiple elements to the cleaning process that must be used in combination to achieve the best possible results. And these results have far exceeded my expectations.

I’d thought of posting here on Audiogon the summary of what I’ve learned and am now applying as my new record cleaning regimen, but the inability to post images and to apply formatting here caused me to send my summary to David Robinson at Positive Feedback who has graciously published my comments as a guest essay. Please read that essay, and then come back here to Audiogon with comments and to share your experiences:

http://positive-feedback.com/audio-discourse/rushton-paul-diy-approach-ultrasonic-cleaning-lps/


I look forward to some further discussion and sharing of experiences.

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128x128rushton
In my experience, one cannot damage a lp as long as you are moving at a mindful rate. Common sense mode needs to be used.

The AD (fan dries). I do respectfully disagree that vacuum drying does not cause a static build up. I've experienced this too many times. If one wants to say that static in really caused by the air or humidity in a closed environment is actually the culprit, that may be accurate in a technical sense but what happens with an audiophile in there home is using too many rotations with a vacuum machine does induce static. This is my long  experience.

Again, I'm thankful to you and will be considering mods to include a filter/pump on my AD for now.
"Neither vacuum drying nor ultrasonic impact the static, but dry brushing certainly can." Is not vacuum drying another form of dry brushing?

What, if any difference is there from vacuuming drying vs. dry brushing, other than in the vacuum mode, one is removing fluid? On my 16.5, if I use more than two rotations, it negatively impacts the positive aspect of vacuum drying as it introduces too much static.

I have many times taken a AD cleaned lp to my TT and then dry brushed it, only to have static re-introduced.

I'm very passionate about this subject...

I noticed today, again, when draining the dirty water out, the glob of minerals on the back of the drain plug, also a fairly large glob in the bottom of my sink. I assume if I used more pure water, this would not be as much of an issue. I can be thankful that the material used in the AD cleaner is of the nature to reject these minerals so they will not cling to them!

I could also perceive one using the Walker TT may notice the difference in the sound of a cleaning solution based on distilled water vs. a more pure water?

I think I'm through. Thanks for reading.

Astro58go, good stuff! LOL, yes you’re certainly right about extended vacuuming. I concede your point. I never vacuum more than two revolutions on my VPI RCM. :-)

And, I’ve become convince that the cleaning agents we use can make static better and worse. The value of the neutral PH chemicals is to reduce the imbalance that creates static. The value of adding antistats (like quarts) to our solutions is to further help reduce static. They all work to our advantage. Just as higher acidity additives make matters worse. This is all why I’ve become convinced that selection of cleaning solutions is important.

I can definitely hear the differences with the rinse using higher purity water. And can hear the slight but consistently observed improvement when doing a final rinse with the Type 1 Reagent Grade water and a bit of ethanol as discussed in my essay about all of this.

Thanks for sharing your experiences and challenging shorthand comments!
rushton, two things UltraSonics has assembled a tank and recycled high purity water up to  eight record cleaner that costs about what yours does with the exception of rising the records. It air drys the records.

Second I reviewed the Audio Desk Vinyl cleaner and also had a VPI vacuum and used Lloyd Walker's four stage cleaning system with a Delrin tube for one revolution drying. The Audio Desk was simple, namely put the record in, push a button, and go back to your music in another room. The other method took twenty minutes per record!

I also discover that using both cleaning methods gave better sounding records, no matter which came first.

I have about 5000 records as well as very advanced quad DSD digital. I think it imperative to clean every record I have once and do redo many that I often listen to, but I hate the time commitment to cleaning records.

I  found your article very informative and through and printed it off.