Why do I keep torturing myself with remasters?


I am really beginning to believe these 180 remasters are mixed for a 500.00 system.It seems every one I buy it's either super bright,or has an ass load of bass in all the wrong places.The Bowie i have the soundstage is all wacked out .I have a decent setup but i can't imagine how much more obvious it must be on a serious setup.I can say the Yes fragile I got lately (cut fromt he original tapes) sounds pretty good ,Zeppelin In thru the outdoor Yikes! so bright waste of 25.00 again..... 
128x128oleschool
They're all mastered for today's systems. I like those mastered for vintage Pioneers and Sansuis.
Right. I stopped buying ANY remasters, LPs or CDs, with exception of some Japanese CDs.
In most all cases, the original, in the original format, from country of origin, is best sounding!
For LPs, got to discogs.com or wikipedia, find the original record company, get an original copy of the LP from the country of the original record company.  Look for the lowest matrix number in the deadwax, i.e. 1A.  If you find a stamp or writing of the original mastering facility in the deadwax, that is even better.  For example, Sterling, Masterdisk, TML (The Mastering Lab), Kendun, Precision, GP (George Piros), Van Gelder, RL (Robert Ludwig).  Forget reissues including the dreadful half-speeds.