Anybody read Art Dudley's "Tweak" article in the current Stereophile?
Lets' see…since somebody asked, here's a few of my musical background highlights: I played ukulele on a "Techno Pop" recording of a Rosemary Clooney inspired cover of "Come On-A My House" (Ross Bogdassarian & William Saroyan) in 1980 but it was only released in Japan and was sung in Japanese on one side, English on the other. I only have that on a 45 so it's hard to share it…I fixed Jimi Hendrix's cassette player for him when hanging out at his rented pad in Honolulu in 1969…I once played 3 on 3 basketball with Bruce Hornsby (on his team luckily 'cause he's a really good ball player) and we won all 3 games…I provided sound for a Neil Abercrombie (eventually governor of Hawaii) political rally in 1972 or something by hooking up my KLH Model 20 to my Altec A7s. My musical "work" in recent years has been as a live sound mixer for a wide range of artists including Richie Havens, Bill Charlap, Fred Hersch, etc., hundreds of shows. Live…not studio recordings…and my 5 decades as an audio geek has made me utterly over-qualified to opine about spiky things (sorry Robert, I don't borrow anything requiring me to disassemble my audio pile). My current system is a well vetted bunch of electron manipulation gizmos on a wood and steel rack from someplace (with lots of rubbery bits)…it sounds GREAT and contains at least one real good cable.
Lets' see…since somebody asked, here's a few of my musical background highlights: I played ukulele on a "Techno Pop" recording of a Rosemary Clooney inspired cover of "Come On-A My House" (Ross Bogdassarian & William Saroyan) in 1980 but it was only released in Japan and was sung in Japanese on one side, English on the other. I only have that on a 45 so it's hard to share it…I fixed Jimi Hendrix's cassette player for him when hanging out at his rented pad in Honolulu in 1969…I once played 3 on 3 basketball with Bruce Hornsby (on his team luckily 'cause he's a really good ball player) and we won all 3 games…I provided sound for a Neil Abercrombie (eventually governor of Hawaii) political rally in 1972 or something by hooking up my KLH Model 20 to my Altec A7s. My musical "work" in recent years has been as a live sound mixer for a wide range of artists including Richie Havens, Bill Charlap, Fred Hersch, etc., hundreds of shows. Live…not studio recordings…and my 5 decades as an audio geek has made me utterly over-qualified to opine about spiky things (sorry Robert, I don't borrow anything requiring me to disassemble my audio pile). My current system is a well vetted bunch of electron manipulation gizmos on a wood and steel rack from someplace (with lots of rubbery bits)…it sounds GREAT and contains at least one real good cable.

