Best Sonus Faber for 16 sq room. ?

Tda,
You're probably right, and maybe I'll be calling on you for EQ advice!
John

Tda, I made the same judgement as it appears you are about to make, regarding a large and great speaker in a small room. Easy to do, since the large speaker not only generally looks better but will probably sound better if you ever get a big room. Like I said in my previous post, maybe try the Guarneri's( either model) and see how these work. When I sold my large speaker and replaced with the G's they were a revelation in my small room. I suspect that you would find that in your small room the G's will sound better than the Anniv's just because of less room interaction and the fact that they physically take up less space.Even with room correction, you will not be able to get the max out of the Anniv's and probably can get close to the max out of the G's. ( Your amp should work fine with both speakers).
Why not try and put a small speaker in your room as a test vs. a large speaker and see what the results are.
Good luck with your choice.

Tda2200
I fear that if you don't get the Annis you will never get them out of your mind, so search for a good deal. IMHO Annis are better in "violino rosso" and Strads in graphite.
If you finally end up with Annis there 2 things you should beware: the spikes on the carpet and pass the carpet down to the floor & Yter speaker cable.
Annis also "feel" every change so a good dedicated line for the hifi with a finetuning fuse in the breakerbox will reflect in Annis performance.

Then make your prayers that the Eq God help you through along with the Room-treatment semi-god.

Since you are Danish visit www.sonusfaberclub.com there are many Danes there among other friends.

I see yout point ; )

but my amp works not like other amps

I have heard it with gamut l3( my former speakers) jm lab utopia micro SF cremona auditor

The result is the soundstage is like one big voice No deepth and the dynamics is limited

Even with my very temporay speaker (system audio) wich is a small fullranger
Wich costs only a tiny fragment of the gamut or jm labs
sound smuch more satisfing.

My amp is TRUE neutral it makes other solid state amps sound like subwoffer amps

When we hooked it up to the b&w 801 wich is a xtremly power hungry speaker it sounded like a big monitor
with a big amp

The shop wich is the major store here in denmark sells classe gear and other higend gear also tact/lyngdorf audio
said the the millenium was the only amp the had heard that truly broad the best out of the B&W the playd tight and LOUD
the said that other amps even monster size classe amps maid the 801 sound to heavy and slow in the lower regions

If god forbits me having sonus faber florstanders i will find a nother floorstander ; )

regards

Kops

You are suddenly right its not a questian IF i get the amatis its more a questian when .

One think (IMHO Annis are better in "violino rosso" and Strads in graphite)
have you seen the anniversario in both colours ? i have only seend it Graphite Beatiful.

Also what do you mean here ? (the spikes on the carpet and pass the carpet down to the floor)

Regarding the YTER cables

If enything hifi cable related ever maid sence to me it was to use the same cables as used inside the speakers
so the are a MUST for sure.

I know that im proberly speaking to myself here

But a general rule with roomcorrection is to always have the bass in the corners (this is of cause the worst place if you diont have roomcorrection)

Tact lyngdorf audio makes there speakers to fit in he corners.

Ofcause the best place to have the tweeter is not in the corner but in my room it WORKS and when the speakers are placed there i my room i get over a meter on each side from the tweeter to the walls.

The idea to have the bass placed in the corners is to activate the whole corner and also make sure that all the bass energy is located in one place (two) and here you can control it best.
If a fullrange speaker is placed fully out into a say smalish room you will get refections from ALL areas and wil mess up the time domain completly

When i had the gamuts i did alot of experimenting and the best sound i ever got in my room was to place them in the corners and run a full roomcorrection.

I understand why its hard for other people to understand how roomcorrection works because it turns it upside down how we are used to think about speakers and most importantly speaker placment.
I have had several long talks with Peter Lyngdorf (owner of lyngdorf audio dali speakers and NAD) and all thise talks confirms my own findings

Earlyer in my hifi life if somone told me that the would place a large speaker in the corners and use krell showclass amps i would ask if he intended to bring down the hause.

enyway thanks for all the replays

regards