The bass limitation I heard was not due to the room or ancillary equipment , it is by design: The 116 is spec'd to 32hz (no tolerance cited). This is certainly extended bass, but not subterranean. What's there is very good indeed, but for full range reproduction, MBL wants $40K+ for their model 101. In between, the MBL 111 splits the difference at app $30K.
By way of comparison, I'm also looking at the Vandy Quatro which offers full range bass at $7500 to $10K (Quatro Wood). The difference in bass impact was clearly evident on a couple of the tracks I've been using for demo purposes.
Despite all of the above, and the fact that the Acoustic Zen Adagio seemed awfully close in performance, I completely understand why a price insensitive buyer would choose the MBL. It is a very seductive product (visually and aurally) and if your choice of material doesn't contain truly deep bass, you may find that the 116 is perfect for you.
I liked it a lot, but, given its limitations and my reluctance to pony up for the 111 or 101, I'll probably go a different way.
By way of comparison, I'm also looking at the Vandy Quatro which offers full range bass at $7500 to $10K (Quatro Wood). The difference in bass impact was clearly evident on a couple of the tracks I've been using for demo purposes.
Despite all of the above, and the fact that the Acoustic Zen Adagio seemed awfully close in performance, I completely understand why a price insensitive buyer would choose the MBL. It is a very seductive product (visually and aurally) and if your choice of material doesn't contain truly deep bass, you may find that the 116 is perfect for you.
I liked it a lot, but, given its limitations and my reluctance to pony up for the 111 or 101, I'll probably go a different way.