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Compare: Salk Sound, Silverline, Tyler, Zu

Reading this forum, I have noticed that speakers from Salk Sound, Silverline, Tyler, and Zu have quite a following. Many audiophiles regard one of these as much better than better-known or advertised brands.

Surprisingly, then, I don't see many attempts to compare them among themselves.

So I would like to invite such an effort: Please compare Salk Sound, Silverline, Tyler, and Zu among themselves (and, for those who have the spirit, also with the British classics now exemplified by ATC, Harbeth, Proac).

I would be interested not only in your listening experience, but also "theoretical thoughts" about design, drivers used, etc.

[I do not want this thread to focus on my system, but if you wish to additionally comment about what may be suitable for me, here it is: Room size 15'x20'. Music: Classical, from solo voice to piano to large orchestral. Listening levels: daytime normal, nights low (city apartment). Clearance from rear wall: about 12-18 inches. Amp 60 w/ch ss. Don't want to to be glued to one sweet spot. WAF is liberal, most speakers with a wood veneer would be accetable.]
aktchi
miklorsmith
146 posts
 
I'm with Phil. I don't have his depth of experience and I haven't heard any of the speakers you mention. I only comment, as the XO/multidriver problems I hear in every other speaker of that type exhibits the same maladies Phil describes. As the other choices are all of that ilk, I'd be surprised if they somehow escape the problems that really seem to be guaranteed.
macrojack
1,303 posts
 
I have to wonder why so few people seem to "get" that a crossover is a source of problems in speaker design. Every legitimate speaker manufacturer would stop using crossovers in their speakers if they had a better way to provide full bandwidth. It is the lack of a driver that will adequately provide 20hz to 20khz reproduction that causes designers to divide the signal and distribute pieces of it to specialized drivers called woofers, tweeters, etc. A substantial component of the speaker design challenge lies in the task of compensating for the damage done by your crossover and the minimalization of its impact. Zu has created "in house" a driver which very ably provides performance from 40 hz to 12 khz. This is closer to the theoretical ideal than anyone has ever come before and it represents a turning point, a breakthrough, in speaker design.
Simple physics are behind this. "No crossover" is the best crossover. Speakers which incorporate a crossover network have an inherent handicap.
undertow
1,033 posts
 
Macrojack, I think Zu's are almost too transparent sounding for some people and are use to crossover correction cause most rooms sound horrible, but the zu's in the correct acoustic environment just like any speaker in a good environment acoustically would prove some superiority if you can A-B them against something. I have found the only way to prove this to anyone in design is to directly hear it yourself, and be able to A-B test against something that is in question. Like I found with an upgraded Crossover in my friends pair of speakers they sound excellent in his room and far better than the stock crossovers, and we really believed that there is really nothing worth changing or getting better.. .Okay we were wrong cause when you head to head the Zu's in that room everything becomes apparently clear that even the 700.00 worth of crossover is not gonna compete with Zero crossover, its tuff to prove to anyone however.
miklorsmith
146 posts
 
Geez, fellas. I'm "in the club" and I agree with you about the Zu sonic, i.e. I prefer it to all others I've heard.

BUT, we all have different ears. There's no way that everyone will prefer Zu speakers, even on long-term auditions. I do not think they are perfect, but their compromises are more palatable to me than other speakers I've heard.
macrojack
1,303 posts
 
Undertow,
I keep hearing people talk about comparisons between Zu and other speakers. You seem to agree with me that there really is no comparison.
The best efforts at hiding the splices in the audio signal all fall short of not cutting it up in the first place. It's really, really that simple. No magic, no gimmick, no nonsense.
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