tube amps and electrostatics

Regardless, the ability of an amp to double power as impedance is cut in half is not an advantage on an ESL. This is because the speaker really wants to see constant power regardless of its impedance at a particular frequency, as the impedance curve is based on a capacitor rather than the resonance of a driver in a box.

Consequently tube amps have been the preferred choice for ESLs since the 1950s and remains that way today- if you really want to hear what the ESL does, you gotta have tubes, else you are leaving a lot of the speaker's capabilities on the table.

I couldn't agree more. I base that strictly on what my ears tell me whenever
I hear electrostatics. What I hear is that the transparency of electrostats
lays bare ss amps' tendency to sound leaner and less dimensional than
tube amps with a resulting sound that can can be sterile and dimensionally
flat; as opposed to the dimensionality and image density that a good tube
amp offers. A couple of examples of this (besides my own) that come to
mind are Martin Logans run by Threshold amps at audio shows,
Quads/Spectral at Lyric, and most recently a friend's InnerSounds with the
InnerSound amplifier. On the very same InnerSounds, my Manley tube
monos sound timbrally closer to real with full and and dimensional images;
but, admittedly, not capable of as much volume or bass extension. In
fairness, original Quads driven by Levinson ML2 sounded very good.

Frogman: "original Quads driven by Levinson ML2 sounded very good."

And what you would have also heard was a more defined and extended treble because those quads and these (ML's Acustats and other els's) go below 1ohm in the treble and start that impedance dip at 10khz.
Tubes I aggree with these speakers still sound good but they are definately subdued in the treble compared to a GOOD s/s amp that is BJT output and that can do current into low impedances. Like you found with the ML2 which can almost keep doubling it's current down to 1ohm for each halving of impedance.

Cheers George

I can't dispute your technical assertions, but I can tell you unequivocally that the electrostats driven by good tube amps that I have heard (my own Stax, Quads/Jadis, Quads/Quicksilver, Soundlab/CJ, and others) have ALL sounded more natural in the highs, and certainly not "deficient" in the highs than even the Quads/Levinson. Your definition of "defined and extended" may not necessarily be my definition of natural.

Atmasphere,
I have a pair of ML Ethos driven by a Plinius SA 201 (class A/B) with an Aesthetix Calypso preamp. They sound great but I would love to get a more natural, more 3D sound. What tube amps would you recommend trying with a pair of zero autoformers?