Harry Weisfeld Was Right All Along


I'll admit that I was skeptical when I heard Harry Weisfeld of VPI say that his JMW tonearm sounded better without any antiskating device a few years ago. All the arguments for antiskating compensation seemed plausible if not undeniable.

But today, I've seen the light. I own a Michell Orbe SE with a Wilson Benesch Act 0.5 arm and a Shelter 501 II cartridge. I dialed everything in, but still had the compunction to fiddle around with something so I removed the funky anti-skate weight from the WB. Not only does the arm behave much better (no annoying, backswing when indexing), but it actually sounds better to my ears. Smoother, more dynamic, less etched/more natural are the changes I hear. I wonder how many other arm/cartridge combinations would benefit from eschewing their anti-skate mechanisms.

While I originally thought that Harry Weisfeld was simply making excuses, in reality, he was probably just being honest. I'm sure the twisty-wire approach he now uses is a good way to implement anti-skating for those who must have it.
plato

Showing 2 responses by twl

Some arms need the anti-skate more than others. In general, longer arms will need less. Linear arms don't need any. It should always be adjusted by ear anyway. If you feel you get best results from none, then fine. If wear is going to be higher due to this, you should be able to hear a channel imbalance caused by it. I'd say if you don't hear an imbalance, then it is going to be ok.
You must remember that the need for anti-skating changes with the stylus position on the record. It needs more at the area close to the label than at the outside. This is why most anti-skate systems are a compromise at best, anyway. There have been some arms that attempted to solve this progressive change problem, but I don't know if any were perfectly successful.