First round of auditions disappointing


Well, I finally got out and did some actual listening over the weekend, and I can see that I have quite an adventure ahead of me.

I listened to the Focal Profile 928, Polk LSi15 and a couple of Martin Logan's (Vista and Vantage). The Focal was by far the worst of the bunch; as a matter of fact, it was downright awful, and at a price of $5K for the pair?????????? Good grief...

The Polk LSi15 was better, but far and away from what I expected, given the good press. I use to own Martin Logan Sequel II's, and liked them for their midrange qualities. The newer Logan's were pretty nice, but far too dead in the dynamics department. Very nice rendition of vocals though, and great soundstage presentation.

The more I listened to the typical box speaker, the more I believe that design won't satisfy me. My wife, who is really not "in" to music, commented to me that the Focal sounded "like a box," so there you have it.

I'll probably have to wait until CES, because there is little in the way of "high end" in my area.
seadweller

Showing 2 responses by gregm

I listened to the PMC MB2 and IB2, and they are incredible systems, but both are well over $10K. Their sound is what I'm looking for in a speaker.
Then search around for top Pro implementations, active even. Given the space restraints none of the usual "audiophile" products will fit the bill.
Of course, go used: Meyer, PMC, Adam, some JBL... Or maybe, a Klipsch (but you'll have to modd certain things). Unfortunately, a Klipschorn won't fit into yr room and it's too expensive - even used. Likewise, horns (that reproduce dynamics with ease) are large. Maybe Earl Geddes' "Summa" are a more conventional type of spkr that would do the job -- but I've only heard OF & about them.
Amandarae -- you built the Orion xover yourself?
Wow. You're patient and resilient:)