contradictory communication


some components have been described as warm and transparent. this is not possible. warm means subtractiion in the treble frequency range. transparency implies a balanced frequency response.

it is inconsistent to say warm and transparent.

it is inconsistent to say warm and detailed, because there is some loss of detail in the treble region when a component is described as warm.

i believe that as soon as you describe a component as warm ,there is some loss and one should be careful about any other adjectives used with the word warm.
mrtennis

Showing 4 responses by mrtennis

if the definition of warm were changed to mean correctness of timbre, e.g., listening to an acoustic guitar, one hears the nylon character of the string and the wood body, there would be no need to use the word transparent or any other word.

i think the problem lies in the use of audio terms which are not terms used to describe music.

i personally prefer a description to an adjective.

one could say an absence of bass or lower midrange, using an instrument as a reference instead of lean.

sometimes when using 2 adjectives, the result is ambiguous.

as a reviewer, i try not to be aware of conotations of words so i do not confuse my readers.

anyone who is interested can go to audiophilia.com and read a review or a feature article. you will need to search the archives for feature articles and some of my reviews.

i welcome any comments that would be helpful to me in the future.

my name is roy harris. my email address is: [email protected] .

thanks.
hi duke, i agree with you, namely that i would like my stereo to recreate as closely as possible the sound of an instrument, meaning its timbre.

it's not easy to do this and, unless one has a collection of well recorder lps and cds, one has to use ones creativity to achieve some semblance of realism.
by the way, you might want to look at some of my other feature articles. hopefully, you will find one of them useful.
hi duke, i agree with you, namely that i would like my stereo to recreate as closely as possible the sound of an instrument, meaning its timbre.

it's not easy to do this and, unless one has a collection of well recorder lps and cds, one has to use ones creativity to achieve some semblance of realism.
by the way, you might want to look at some of my other feature articles. hopefully, you will find one of them useful.
gunbei you are very perceptive.

i now realize that i have been using terms in the absolute sense, especially philosphical persepctive of knowledge and other terms.

if one uses terms in the relative sense, one still has to be careful.

for example, all decent stereo systems are "somewhat" transparent. the question is how transparent, since none are absolutely transparent as all stereo systems have flaws, small and unintrusive, yet noticable.

it is reasonable to say that stereo system a seems to be more transparent than stereo system b, without specifying how transparent each one is.

another solution is to try to present a sonic picture of the music as heard through speakers without using too many adjectives. it is proabably sufficient to say " there is a lack of bass" or "an excess of treble energy" and communicate clearly.