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The Best Midrange in the World Right Now


There seem to be a growing number of posts which lament the fact that hi fi has gotten too hi fi, too neurotic, and just doesn't sound good.

As I thought about this, I realized that many of the most enduring, classic audio products (Quads? LS35a's? ARC tube amps & preamps? Apogees?) were noted not for their "transparency", thunderous bass, "resolution" or high frequency "extension".

No, what seems to have stood the test of time was old fashioned, middle of the road MIDrange. Is midrange the best benchmark for our hobby?

In many threads, a mention of midrange seems almost quaint and/or apologetic:

" the classic ________ doesn't have the "resolution" of many of today's products in the $150 to $200,000 category, but it still boasts MIDrange which will put all of them to shame!.."

I find this very curious, as to me, there is no high end without glorious, gorgeous, natural, startlingly lifelike MIDrange.

Please, support midrange.

And tell us: what components or combination of components can still deliver good old fashioned midrange today?
cwlondon
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shadorne
7,467 posts
 
Actually, Shadorne, there is no bass viol on the recording. But, after listening to the track again, it might be a bass trombone, and it does, indeed, read lower than 36 Hz in my room.

Bass Trombone won't go below about 60 Hz, as I recall David Finck plays Bass Viol on this track while Dave Taylor is bass trombone. I can distinctly hear both the bass trombone and the bass viol clearly on my system. The decay on the stringed instrument is characteristically much longer than the bass trombone (wind). They do play only two notes together at the start of Bella Cubana exactly at the same time...but the Bass Viol is an octave lower... (for those who may be confused Bass Viol is the orchestral name for the more commonly named double bass)

Sorry to be a stickler, I may have digital tin ears or don't know how to listen as the Vinyl Analog folks would say, but I hear this all to clearly....
islandear
208 posts
 
Shardorne, I stand corrected. The funny thing is, when I listen to this intro, the lowest register does not sound like a bow drawing, rather like an embouchere that is beginning to collapse. I'll listen to the recording again later today just to identify the differences you describe. Nonetheless (and I love to use words like that) the bottom-end reproduction of this intro has flummoxed every speaker I've heard - and I use this piece toward that end.

Thanks for the insight.
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shadorne
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the bottom-end reproduction of this intro has flummoxed every speaker I've heard

It is indeed a great intro...the flatulant bass trombone and the double bass together make a huge sound....like something deep primordial, the belly of the whale...uh oh...getting into mythology here.

BTW...if you liked that....then try This is the Dirty Dozen Brass Band Collection "Oop Pop a Dah" and others ....absolutely great lively fun stuff with sounds from the Sousaphone and Baritone Sax.
mrtennis
3,295 posts
 
cwlondon:

only you can answer your own question. the concept of "best" is completely out of context without a normative structure which specifies attributes of sonic excellence.
islandear
208 posts
 
Shadorne, I love the Dozen! Isn't on that cut on the Collection? ...and of course the Danny Barker special, "Don't You Feel My Leg..."

Elvis Costello has championed them but outside of Nawlins they don't get nearly the attention they should.

But, we're off topic here, aren't we? Anyway, these are yet more opportunities to assess one's midrange...LOL
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