O.C.D. Speaker placement


How o.c.d. are you in speaker placement, and how important is it? I am o.c.d. in many aspects of my life including speaker placement. I've always enjoyed what is known as a formal balance (symmetrical design). So this is my dilemma: I have the distance of my speakers equal, within an 1/8", from the side and back walls, and they are also level side to side and front to back but the distance from the center of my listening position to the tweeters is different by somewhere between 1/2"-3/4". Does this even really matter?
I'm sure I'll get all kinds of jokes towards this question, but whatever. I figure there has to be some other o.c.d. people here considering all of the products aimed towards audiophiles, from footers to cable risers to c.d. and i.c. polishing kits.
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If the question is directed at me, then my answer is that I have a number of discs that I use to determine if any type of change in my system is better ,the same or no different.

In my estimation,this is all the time I need to make up my mind.It is usually a few hours of listening, but a day of settle in time for wires etc.

I tend to think that the more time spent the more one will eventually forget what the original sound was like.

What I have discovered is that there are no hard rules, and that you find things to like/hate about all changes in speaker placement.

I liked the pinpoint spot on image of the speakers toed in ,and crossing a few feet in front of me.

Until I tried the Cardas planar placement method,which changed the placement of the speakers in the room placing them further from the side walls, closer to the back wall and with no toe in.

I moved the seating position further away from the speakers, which made the focus more like toeing them in did.

I do have some modest room treatment,mostly DIY, but it's a step in the right direction, having none in such a large live room is not nice.

The old Acoustats can be very revealing,but they are also very easy to enjoy in just about any type of speaker set up.

The task is to think about the smallest adjustments,the fine tweaking,to get them to move to the next level of resolution.
Less than inch adjustments of toe in.
But that's just my point. A stark contrast is the best comparison so it's best to get used to an adjustment before changing it. It's interesting you have pinpoint imaging with speakers crossed in front of you. My experience with that set up is a relatively 2 dimensional sound stage whereas when the lines converge through my ears, I have much better depth perspective.
Your correct,soundstage suffers, width wise,but I perhaps should have said that radical toe in gives a very precise image, or clarity, at least with my speakers/room.

Wide spaced with little toe in and the image is wide, but the information is not as clearly presented, perhaps using box speakers would have a different result.

As I've stated you have a choice and who knows which way is correct,I'm thinking both could be, depending on what you value in music reproduction.

I'm more detail oriented than image oriented,so anything that detracts from image specificity is a no-no for me.

By sitting further away from the speakers(the Acoustats have 3 panels per speaker only the centre panel is not angled)all the panels come together much as multi driver speakers need some spave before the drivers align themselves properly at one's ears,that is most of the one's I am accustomed to.

Most two ways seem more seemless than multi driver systems and you can do some serious near field listening with them.

As far as getting used to a particular speaker arrangement,I seem to be able to do that without a lot of time involved.

It either comes together or it doesn't with my set up, so there's no need to ponder or nit pick.
I think we all need to "listen and enjoy the music more and worry less about the equipment
Enjoying the music is what the gear is for.

Great gear, set up poorly never gave me musical enjoyment.

Poor gear,set up poorly is even worse.

I've been listening and enjoying the music(and playing it)for over 40 years.

What I found out very early on, was that the level of musical enjoyment was determined by the effort I put in.

As such,the more I paricipated in the hobby, the more enjoyment, the closer I got to what it sounds like when I play live.

I disagreed with HP years ago, no system I've owned or listened to every came close to the absolute sound.
But some gear was better than others at the illusion of a live performance.

Also, those same components could get you even closer to the ideal when you tweaked them with better cables, fuses, power, racks and room tuning.

The "we all need to listen and enjoy the music more and worry less about the equipment"types I feel, don't listen or enjoy the music as much as those of us who do sweat the details.Not to say they aren't content, just saying I wouldn't be with a compromised set up of stock gear, with no power conditioning or room treatment.

All the access to all the music in the world is only as good as the gear it's played thru and how that gear is set up.

I can be pleased listening to music in my car,but I know that's not as good as it gets.

I've been spoiled.I've had friends who've enjoyed great systems and the sound of the music thru their systems was much better than mine was in those early years.

So my journey started about 40 years ago,and TAS influenced me. Had it not been for that and other mags I would be richer in the bank account but would never have had the enjoyment of listening to the music thru system that let all the music thru not just some of it.

Owning thousands of cd's, lp's,and downloaded music mean nothing if you are only hearing a fraction of what's been recorded because of compromised gear and set up.

As much as I admire the car collection of Jay Leno, he can only drive one at a time.
So best to make that drive the best one that you can.

Best to listen and enjoy that one selection of music as best it can be reproduced.

I think the trend today towards mediocrity and not perfection,is a major reason why things have gone downhill in more ways than just music.

For me,it's more about the pusuit than the end of the hunt that gives me pleasure, not pain in this hobby.No worries here,just anticipation and excitement about what's over the next audio hill and into the promised land.
If I have any worry, it's that I may not live long enough to enjoy the treasures yet to be discovered.

Everytime I've ended at where I felt it was as good as it can get, I'm over and done, and it's time to just listen to the music, I got bored shortly thereafter.

It's why the merrygoround never goes out of fashion, and dogs have so much fun chasing after their own tails.

If there was no fun in it, then both would have vanished long ago.

When the fun of this hobby is over for me,then it will be time to join the "for listeners only" club.