I think what we’re doing here is redefining the meaning of the term “source component” from turntables/cartridges and CDP’s/DAC’s to power line conditioning components, and rightly so.
Reading this thread convinced me that if I wanted my system to “always” sound as good as… like at night… that I had to feed it cleaner power to begin with. Because my system already included a dedicated 20 amp circuit, Oyaide R-1 Receptacles with WPC-Z Faceplates, and last but certainly not least an Audience adeptResponse aR6 Power Conditioner, it’s not as if up to this point that I was l ignoring the power source.
Sooooooooooooo, I once again opened my wallet and purchased an Audience adeptResponse aR6-TS Power Conditioner. Those who have read my posts know that I don’t glorify or gush over the attributes of one piece of equipment over another, but the Audience aR6-TS is an exception.
With the Audience aR6-TS in my system, it’s as if I can walk through my speakers and literally shake hands with the musicians. If I ever get the opportunity to meet John McDonald, I’d give him a standing ovation.
Reading this thread convinced me that if I wanted my system to “always” sound as good as… like at night… that I had to feed it cleaner power to begin with. Because my system already included a dedicated 20 amp circuit, Oyaide R-1 Receptacles with WPC-Z Faceplates, and last but certainly not least an Audience adeptResponse aR6 Power Conditioner, it’s not as if up to this point that I was l ignoring the power source.
Sooooooooooooo, I once again opened my wallet and purchased an Audience adeptResponse aR6-TS Power Conditioner. Those who have read my posts know that I don’t glorify or gush over the attributes of one piece of equipment over another, but the Audience aR6-TS is an exception.
With the Audience aR6-TS in my system, it’s as if I can walk through my speakers and literally shake hands with the musicians. If I ever get the opportunity to meet John McDonald, I’d give him a standing ovation.