HD Down Load compared to Analog.

Dear Benjie: +++++ " With vinyl, all of the information is in that groove. You are not missing anything. " +++++

well that's IMHO is only in theory. Please analize the LP playback proccess and let us know if " you are not missing anything ".

Nothing is perfect and analog is not and those imperfections preclude that you can hear what's in the recorded grooves. Think about.

Regards and enjoy the music,
R.

Whoever dies with the best sounding stereo wins...

i have 5 terabytes of hirez digital and enjoy it daily. i mostly listen to dsd files, but also lots of hirez PCM. i'm listening to it now. i agree that it sounds very very good, and sometimes great. it does have a consistently low noise floor and is clean sounding and noise free.

i have what likely would be considered top level vinyl in my system, as well as maybe B+ too. i've had plenty of B range vinyl in my system recently enough to have a feel for it and how it compares to hirez.

you can make a case for hirez competeing directly with B level vinyl, but it's not a case that works for me. there is a level of musically significant information in vinyl which is simply missing with hirez digital. there is dynamics and articulation in the bass which is not there in high rez. the areas where hirez does have some advantages are not musically significant to me (such as lack of ticks and slight noise). i'll take the deeper musical message of vinyl any day if we are stating preferences.

it's not important that we prefer hirez to vinyl; it's only important that we like it and enjoy it.

i listen to hirez digital mostly for convenience sake or when that is the only form for that particular music. when i'm reading, web-surfing, or too lazy/not in the mood to do vinyl. which for me is about 30%-40% of the time. so it's an important part of my musical menu.

hirez digital sounds great, and it does offer benefits. it is just fine and needs no apologies.

Zd542, if for a moment we can just drop "Stereophile" out of this equation, and designate a particular level of "sonic" quality as class "A", all will become clear. This is something I've only heard at high end emporiums. Once was with all top of the line ARC electronics, and top of the line Thiel speakers, plus room treatment. The sound was visible in the air, you could point to many different spaces where sound emanated from. That was Class "A" sound, and any way you can get it sounds good to me. Class "B" or "B+" is very, very good, if someone thinks it's Class "A", who am I to argue. I have "holographic" sound in my listening "spot", I won't say "room", but from where I sit there's "holographic sound", the speakers are nonexistent. I assume most hardworking audiophile's have the same thing.

When you enjoy your music playing on your system, what difference does Class make?

Enjoy the music.

As a user of both hi Res downloads and what would be considered an A rated analog set up, my opinion is that all the absolutes have completely broken down. One can longer say that one format is superior, only that one particular pressing or digital transfer of a specific recording may be better than another. If a digital transfer (or LP) was done from a true mixed master, while the other format was done from an EQ or protection master, then the better source/mastering will probably win. There are plenty of HD downloads and SACD that don't have anything above 22khz when the file is checked on a spectrum analysis. There are plenty of hi res digital cuts that are spectacular.

I will preface this all by saying that digital playback is cheaper than analog, as there is no getting around the physics required to make a first class analog rig.

Then there is also the intangible part of the listening experience. Even though a digital file may have better audiophile characteristics when broken down categorically, there is a certain listen ability and enjoyment when listening to LP's on a top rig. MY point is the digital file can sound better on the audio check marks, but the right LP can create an experience that goes beyond the sporting aspect of hearing instruments portrayed accurately.

Case in point is how good music can sound on a car stereo. My theory is that since itS running off a battery the lack of AC grunge allows it to penetrate the hearing system. I heard the same effect With the battery operated Veloce gear at two different shows.

Would anyone say that the ordinary car stereo is amazing audio wise, no but there is A rightness that makes it enjoyable.

Another factor some people have spoken of is that the LP's precondition the signal for better compatibility with speakers. I can't say I completely understand it, but it is something spoken of. perhaps a more limited dynamic range is helping?

One last thing from the recording world that may shed some insight. All the very top rock recording sessions, the ones done digitally, all have the drums recorded to 24 tracks analog, and that is mixed down to a few digital stems which is taken into the the Protools sessions. Modern recording wisdom says that the dynamics of drums are better recorded analog, then digitized.