Food or beryllium tweeters for my DeCapo's


The question is moot. Like any TRUE Audiophile, the speakers must come first. Food is a luxury that I sometimes cannot afford. I have decided to feed the Reference 3a DeCapo-i's the meal that they so much deserve. The new Beryllium tweeters fresh as summer corn from Divergent Technologies. I first decieded to purchase the DCaps about a month ago. Speakers come and go 'round hear like the wind at my rear. It seems that every time I look up there is a new baffle staring at me. Sometimes not even a baffle. Maybe a tootie looking horn or chrome balls with a metal grill. You get tha picture. I'm an addict. Driven by reviews, a few words from other addicts or a half naked cabinet. Yep, that's me and I'm proud of it. I've made so many mistakes that it is a wonder that my ears haven't packed their cochlears up and walked out the door.
So there I sat about a month ago, armed with nothing more than a Jolida 202brc and wad of cash form the last set of flying baffles. What to do what to do...(?). Just as I was starting to itch all over, you know the feeling, slobbering over pictures of the stuff you cannot afford.. You dream about all the speaker candy here on A'gon and elsewhere; like the audio salons that you have been baned from (the owners harsh words still ringing in your ears.... GET OUT ! YOU CHEAP BAS.... ) I still remember hitting "enter" and there they were. Gloss Cherry DeCapos on wonderful Skylan stands. Were they gone yet ? I trembled as I stumble typed the words out to the owned... Do still you them have ?? Please me let know ASPA. The hours seemed like weeks as my fingers dug into the new leather case for my Ipad. You would know the one. The only APP is the one for A'gon. The hours seemed like weeks .... And then ! The reply.. "Yes, I still have them". As the thousand hot pokers left my body, I replied... I'll boy them. He was close. I drove to pick them up, brought them home with a minimum of speeding tickets and let the little Jolida do its work on them. The thousand or so speakers in my memory banks turned dark and left me alone to absorb the wonders of these little cherry boxes. My mind immediately searched its cells for my best amps. Edge, Rowland, Classe, CJ, ARC, Bel Canto, Kora... The list seems endless, and ALWAYS "that" question..... Tu be or not tu be. Nuts. The speakers are soooo good. What to do?... The answer came in the Heavenly form of an Audio Analogue Maestro Settanta Rev 2 integrated amp. It arrived and pure bliss smacked me between the ears. The only thing missing was perhaps the over the top Beryllium tweeter. There was a little food left in the cabinets. A half a gallon of milk, some cheese and small pudding cups. There was enough money to order the tweets.
As I sit on my porch, smoking my pipe, the words "out for delivery" are on FedEx's tracking page. I just looked in my pocket and found a Reese's Peanut Butter Cup. It won't be long now. Should I let you know ?

Moron this later.
Tubeears
tubeears
Rebbi that is precisely it, what you say. While the resolution of this speaker is off the charts it isn't the "oh, I never heard or noticed THAT before". That isn't it at all. It is the musical resolution, the connection over any sound. I REALLY believe, at least to me, that it has to do with the near ideal tonality along with the ability to clearly define instruments and vocalists in a soundfield, the better the recording and gear preceding of course the more real it sounds but it isn't limited by the quality of the recordings. There is just this inherent, intrinsic musicality. On a technical note I suspect the real key to the success of this particular design, predating the DeCapo and going back to the MM most likely has to do with the proprietary carbon bass/mid driver being directly connected to the signal being fed without going through any crossover circuit, the DNA of what we hear with this design. I'll bet you could hook up a mediocre receiver to this speaker and still hear this intrinsic "rightness".

I don't believe for a second natural tonality, the real pitch and timbre of voice and instruments can be manipulated upstream. It has to be inherent in a fundamental way that some speakers have and some never will regardless of enclosure, crossovers etc. I find this quality very rare in most of the transducers I've listened to although they may excell in many if not virtually all ways that can initially make them appealing. This speaker doesn't do "audiophile tricks" and technically it might not be impressive to the technically minded observer or measurer but one thing undeniable to me, these gems play back music in a most convincing manner.
Well I enjoyed my time with the Grand Veenas, but they will soon be with their new owner.

Shakey
Hey Decap lovers, I own a pair of Ref3a Veena (love them). I am seriously thinking of having them upgraded by Tash. Any feedback?