how close in sound can a tube and ss amp sound ?


i have observed threads requesting advice regarding tube sounding solid state amps, within a price point.

i wonder how to confirm such a request.

in addition to recommendations, what about comparing a particular ss amp to a particular tube amp using an experimental design where bias, or preconception has been eliminated ?

has anyone tested the hypothesis that he/she cannot detect the difference between a tube and a ss amp, within the same power range, price point and minimizing interaction problems, such as impedeance mismatches ?

on the other hand if someone is seeking a tube-like sound out of a solid state amp, i would assume that one would use a "classic" sounding tube amp, e.g., cj mv 45, cj 75, cj 100, or cj mv125 as the tube amp and try to find a ss amp that is indistinguishable from the sound of the classic tube amp.

i have found that many ss amps differ with respect to bass and treble response from many tube amps.

in my own case, i would love to find a 120 watt ss amp which sounds like my vtl tube amp. unfortunately, i am not optimistic.

in other threads, some people have stated that it is impossible to find a ss amp that is "tube-like", in the classic sense.
mrtennis
Mrtennis, Human hearing is all there is in audio. It is what is perfect, it is the audio equipment that is not.

IOW, the ear/brain system has certain rules it follows. The closer the audio equipment comes to following those rules, the more it will sound like music rather than electronics.

Now in the case of odd ordered harmonics, which as at the crux or our discussion, the ear happens to be very sensitive. In fact, this is one of the things that the ear is *most* sensitive to. So its to your advantage to not distort the odd ordered harmonics- the result will be a harder, brighter sound if you do. Now to emphasize the point: the ear is *so* sensitive in this area that modern distortion instruments have trouble measuring the area that is important- often the distortions are buried in the noise on the test bench.

It happens though that tubes tend to make less of these distortions overall, although a **lot** depends on the topology of the amplifier, and so if a designer knows what he is doing, he can do it with transistors too- its just a lot harder. To avoid this distortion, you have to keep the circuit as linear as possible, without loop feedback.

This is a difficult task, but you can see that if you really want to be about it, pentodes and transistors will have more in common than triodes and transistors will. Certain semiconductors are quite linear- approaching that of triodes, and to make the best use of them the circuit will have no feedback and will be class A. There are not many transistor amps like that. Those that are are either very expensive (+$100,000) or very low power (Nelson Pass First Watt).

Now its a lot easier to design the odd ordered distortion out of the amplifier if you work with triodes. I am not saying that they are superior, I am saying they are easier. But the fact of the matter is that there is a lot more experience in the field working with triodes in this way, so you might want to consider going the other way (towards triodes, away from transistors) if you are looking for the best performance with your Quads.
In some cases very close . But who wants that . I went from solid state to tubes and back to solid state . Both have advantages and disadvantages , one is clearly not better than the other . Buying upscale equipment usually fixes the weaknesses of both .
thanks again for the explanations, especially the problem of odd order harmonics and the advantage of some tube products which are , allegedly, designed to minimize odd order distortion.

am i to assume that the relationship between magnitudes of even to odd order distortion is manifested by the effects of clipping.

that is, an set amp which is operating beyond is ability to play beyond certain spls, may produce distortion from clipping which is perceived as plesant, whereas, some ss amps , when clipping may be perceived to sound unplesant ?

it would seem that one of the salient factors distinguishing the sound of some tube amps compared to some ss amps is their performance when operating in a clipping mode.
Do you want to judge an amp on how it sounds when its clipping . If it clips at the levels your using it at , you bought to low powered an amp .
>>12-29-10: Mrtennis
it would seem that one of the salient factors distinguishing the sound of some tube amps compared to some ss amps is their performance when operating in a clipping mode<<

Salient?

It's irrelevant.