bi amp imrpoving?

A small but important qualification to Zaikesman's post:

This is of course in addition to the other theoretical benefits [of passive biamping], like doubling the available amp power (assuming the top and bottom amps are identical).

This is a common misconception. In general, passive biamping cannot be expected to double the available power (which is only a 3db increase anyway), or to even come close to doubling the available power.

The amount of power that can be delivered to the speakers is most commonly limited by clipping, i.e., by the amplifier being asked to swing its output voltage to a level that is greater than it is capable of swinging. Since in a passively biamped configuration both amps are being fed full-range signals, the output voltage range they are required to swing will be no different than it would be in a single-amped configuration.

***AN IMPORTANT IMPLICATION OF THIS: If in a passively biamped configuration a low powered tube amp is used on top (for example), and a high powered solid state amp on the bottom, most of the power capability of the high powered amp will be unavailable and wasted. The power capability of the high powered amp that can be utilized will be limited by the clipping point of the low powered amp.***

Passive biamping will only result in an increase in available power to the extent that the internal voltage rails of the amps increase as a result of reduced current demand, and/or to the extent that power delivery of the single-amped configuration that is being compared to is limited by current capability, not voltage swing capability.

Regards,
-- Al

Don't see the point of using identical amps to biamp. Ya, it makes it easy but you're not taking advantage of mixing different characters. The result may be schizo but it's entertaining. Simple enough to tame gain with an attenuator. If you want easy power, just buy a good amp and forget about biamping. On the other hand, let's not forget this is a hobby and we can have fun. For serious, mind-melting fun and possibly endless playtime, there's DSP crossovers with RTA. Now, go out and run with those scissors.

Hi Al, although I think a potential increase in headroom of up to 3dB is nothing to sneeze at (and although I happen to be one one of those who feels that, other things being equal, more power -- and a realistic playback level -- is better for lifelike reproduction), it needs to be said that the audible benefits of increasing power capability, whether via biamping or just moving to a more powerful single amp, are not necessarily directly related to whatever is conferred in terms of sheer ability to play louder. One may never listen more loudly than before (and never bump up against the system's clipping or dynamic headroom limits) and yet still hear benefits from so-called "passive" biamping. My own feeling is that this results mostly from the (doubled number of) output devices having a more advantageous grip on an easier load combined with an effective doubling of the power supply (as well as the effective doubling of the cable guage and the elimination of possibly inferior jumpers, as in simple biwiring). Assuming your statement about the unchanged voltage output swing when the input remains identical is accurate (and granting that my technical [in]competence to discuss such matters is likely below the chart relative to yours), I'm not sure what bearing this actually has on amp performance or audible results, at least as compared to current output demands.

Hi Zaikesman,

I am in complete agreement with nearly all of your comments. And I certainly agree with the fundamental point that passive biamping, if well implemented, can yield significant sonic advantages along the lines that you and others have described.

However, I have seen several instances in the past in which the misconception I commented on nearly led to purchase decisions that would have been major mistakes.

Restating my basic points by way of examples:

1)Under typical circumstances, passively biamping two 50 watt amplifiers will result in little more than the equivalent of a single 50 watt amplifier, in terms of the peak volume level that can be generated.

2)Under typical circumstances, passively biamping a 50 watt amplifier with a 500 watt amplifier(!) will also result in little more than the equivalent of a single 50 watt amplifier (sic), in terms of the peak volume level that can be generated.

Best regards,
-- Al

I've been multi-amping professional systems for over forty years, as a sound technician, but- thanks for the tutorial. I'm NOT referring to subwoofers, as the ones I've done for home audio are crossed as high as 325Hz(10th order Butterworth). The object being to remove as much bass burden from the mid/high section of the system as possible. With the TacT RCS 2.2, in a system comprised of planar speakers and transmission line woofers; this yields a VERY coherent presentation. The first time I did this for a customer, was back in 1980. Of course, that was with the Dahlquist DQLP-1, at 200Hz, and not at 60db/oct. He had Acoustat Model IIIs, an Apt Holman, a couple Hafler DH-500s, the 10" transmission lines that I built for him, and was grateful/gracious enough to let me demo his system to others. My first personal biamped system was comprised of a pair of KEF LS3/5As, and separate KEF B-139 woofers crossed at 200Hz, with a custom DeCoursey high/low pass active network. That system sold quick, and the $$ was used to by a pair of Acoustats. =8^) "Biamping" IS the correct terminology for the application, and it works wonderfully.