Power Amp Doubling Output at 4 Ohm


Hi, all,

Another random musing. From time to time, I see ads that mention such and such power amp can double its output from 8 ohm to 4 ohm (and even double again from 4 ohm to 2 ohm). To me, this does seem to be a highly desirable, quantifiable, quality. I don't know anything about the engineering behind equipment design, so here is my question. Is this an important parameter to you? If not, why not?

Thanks for your inputs.
millicurie999
A perfect transistor amp would double every time you halve the impedance. Ones with big enough power supplies more or less do this. If you have inefficient speakers that have low impedance this is an important consideration. But it is not the only one. Many class a amps will not do this and if you have efficient high impedance speakers you can look for amps that are designed to maximize other parameters of performance. All design is compromise and a powerhouse large amp MAY give up speed and transparency to amps that do not have the same power but which can react faster. There is no real rule to guide you here, every amp has to be considered individually in terms of how it meets your needs. A general principal is to have plenty of power but to go with the smaller amp if you are choosing between two that meets your needs as it will PROBABLY have a simpler circuit [need fewer power transistors] than the bigger one. All the above may not hold in individual cases and this complexity explains the theoretical advantages of active speakers in which the amp is tailored to the individual speaker. Again some designs execute this better than others.
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The issue is really how important this is to with the way we perceive sound! Being able to double power as impedance is cut in half (or cut power to 1/2 as impedance is doubled) will allow flat frequency response with certain types of speaker but definitely not **all** speakers (IOW the speaker has to be designed to expect this behavior out of the amp and not all are- some are designed for amps that **won't** double power). There are also more important things to the human ear that can supersede the importance of flat frequency response. Sensing spatiality (soundstage) and the presence of odd-ordered harmonics (5th, 7th and 9th) are two examples of that.

see
http://www.atma-sphere.com/papers/paradigm_paper2.html

for more information.
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I'm in the same boat as Foster and Tvad with my current "difficult load" speakers (OHMs and Dynaudios)...it's important.