GMA Europas-first impressions


Well I've got about 60 hours on the Europas now and have had them about a week. They went into my modest system consisting of Nad C370 and 521I and a Sony powered sub. I'm just getting started in Hi Fi again after 20 years. Have previously owned Maggies (mg1's I think they were called), Klipsch horn knockoffs and Stax electrostatic headphones. So I thought I would get some nice clean sounding monitors and good stands and a new sub. Also wanted to investigate the phase/time coherence deal. I expected clear defined sound but was worried about brightness in my rather hard room.
Well I got clear defined sound aplenty and not even a hint of brightness from the Europas. The highs are sweet and delicate and can pull out details of old recordings I hadn't heard before. Today was listening to an old Cream song (yes I said Cream) and I was blown away to hear the articulate presentation of Ginger Baker's cymbal work from the next room. If anything the top end is gaining in open airy texture as time goes on.
I don't want to get into the time/phase coherence debate here but I did finally setup the speakers in an equalateral triangle as the GMA manual suggests. In my rather compromised listening room, this puts the speakers at 30 inches from the back wall. This helped with both the presence of vocals (really quite startling) and the bass response as well.
The bass has excellent definition and it is easy to track the acoustic bass tracking up and down a scale note by note.
I initially started using the sub with the Europas but I am now using them full range. They aren't going terribly low (6 inch drivers) but they are in the room and present on the bottom end. Here again I was playing Dave Brubeck Take Five and the drum solo in the middle of this piece just bounced out and hit the floor right between the amp and CD player. When the sax fell in, the air coming out of that horn was breathy and just plain scary.
So the Europas are clear and defined, delicate and present, but there's more. These babies are in sync with the dynamics of music. No analytical sound or theoretical disertation. The sound is big and room filling (12x22x8) and I believe they could easily handle a larger room than mine. The presentation is wide and deep and the dynamic peaks are surprisingly powerful. With the clarity they posess, the Europas maintain the background performers info all through those "stage front" dynamic peaks. They bring through the drama and emotion of the music. Man, that Brubeck piece just plain knocked me out!
This is a lot to get out of a pair of speakers that go for what 900 bucks a pair? I have Sound Anchors coming and that with more break in time should increase and open up the bottom end.
Thanks to Roy for the great job and to the Agoners that helped me find these great speakers.
abbeydog
Yes, I meant "equal-legged Tee" and that is how I have them set up. Thanks for the tip on the cd Roy. I definitely will check it out. I love the blues.
Tennisjunky, I'm sure your are right about the good things to come in the hours ahead. The Europas have changed quite a bit already. I too feel that they are the best component in my system and will surely be looking at upgrades to my source and amp soon.
Thanks for the input guys.
Roy - how efficient are the Europas? Would they work with an SET amp of few watts: 4, 6, or 8? Thought it might make a nice combination with a Darred SET for a not-too-expensive system.

Thanks, Peter
Abbeydog,

Good to read your initial impressions on the Europas. These speakers will improve all the way to the 100 hrs. mark & a bit beyond. Be sure to "exercise" them as Roy J. instructs in the user guide - this will help the speaker be more responsive at lower listening levels.

I personally have the C1.5i floor standers. Also excellent! Non-fatiguing on any music, least like hi-fi rather truer to the recorded music than my previous B&Ws. Excellent bass as well. If & when you consider upgrading seriously consider the C1.5i.
Peter_s,
For the smaller amplifiers, satisfactory output is possible, but the speakers still need to be broken in with at least a 50W/channel amplifier (8 Ohm rating), which improves the sound at both high volumes and at very soft ones.

The results with a high-quality SET amp of less than ten watts are adequate for listening in a smaller room, or within ten feet, for modest SPL's up to 90dB peak- which is not very loud. But loud enough for most music in a quiet room. Try before you buy, of course, is the best advice, but we do have several dealers who routinely demo on very small amplifiers!

The speakers are rated 88dB for 2.83Volts input at one meter on pink noise, without room gain. In other words- average sensitivity. The key I feel, to useful levels from a small amplifier is that the speaker's drivers be dynamically responsive with little compression of the peaks. Also, when a speaker is not time-coherent, we see that the peak-to-average SPL ratios are reduced- those speakers sound more compressed.

Unsound-
The Equal-legged Tee layout we recommend is a good starting point. It is very doubtful anyone would prefer the cabinets wider apart than that, w/respect to a solid center image.

"Equal-legged Tee": If speakers are 12' apart, then you should be 12' back from the center point of that line connecting them. This results in an included angle of about 53 degrees (60 degrees = equilateral triangle). We believe this is the angle where the ears begin to have their highest acuity, and roughly equal to the angle at which our eyes, looking straight ahead, lose acuity. We have tried this 53 degree separation on many other speakers with success- I don't think this is unique to our products/design philosophy. This explanation is in our manuals.

The few companies that recommend really wideset placement are, I believe, creating more "channel separation", via throwing a larger acoustic shadow on the opposite ear. This is most often recommended by two-spaced-mid designs- in those, of course the sound from the upper mid leaks over the top of the head to the opposite ear, in a different fashion than the mid below ear level leaks under the head. And this difference is quite noticeable with small head movements. Spreading those speakers far apart reduces this effect, but still makes for a one-person speaker.

Tennisjunky, Bombaywalla-
Thanks for your comments! Glad you are enjoying them!

Best regards,
Roy
Tennisjunky,
Which REL sub are you using with the Europas? For that matter, what is your system as I am looking at new CD-Amp
upgrades down the road.
Thanks, Scott