RU recording LPs on Reel to Reel ?


or is this just O-U-T?

I'm appreciating analogue more than ever with my new setup and want to record some of these LPs but on to what? I'm interested to know what your thoughts are between reel to reel sound and the sound from a cdr, perhaps through a computer with a good capture card and an EQ program or whatever's best digitally.

Even if reel-to-reel comes closer to the analogue sound of an LP, is the benefit minor allowing ease-of-use to tip the scales towards digital? Right now the glamour factor is telling me to go out and get a tape deck and the fear factor is telling me to stick with what i know.

I was surprised that a search here didn't pull up some posts on this subject...which makes me think reel-reel is just out except for pro engineering.

(Really, it's just jumping up to turn over these LPs that's getting me a bit ...jumpy.)
kublakhan
Hi Dennis,
As a lifelong R/R fan, you must remember that A tape deck is basically a Transport and a preamp. The better the electronics in the preamp section, the better your recordings will sound. For this reason, the fellow above loves his Revox G-36. The tubed electronics make all the difference. The battleship like Revox A-700 with 2 track heads, looks better, is built better, handles tape better, but sounds lousy in comparison. Early solid state was the reason.
The Tandbergs had the best sound,(for consumer decks) but had an almost 100% failure rate. They WILL break.
Pioneer had a series of good machines in the 74-78 era, with great construction and very decent sound.
Stay away from the Revox B-77, the best solid state Revox was the A-77Mk4.
The Pro scene was much better, but you need money and a good setup man for the infinitely superior AMPEX ATR series and 440 series.
The blank tape scene has all but disappeared. The big rocks began to fall when 3M discontinued all Analog Reel production in 95 or 96. The giant of the industry spelled it out. We are headed for a tapeless world. Only Quantegy and BASF remain.
A recording on a great Ampex or Studer machine at 30 ips, can actually sound better than your LP, that you recorded it from. A coloration maybe, but I always welcome a larger soundstage and larger images.
Dennis I dont tune in to this station much anymore, but when I saw you pop up after a few years absense, I had to post one. Good luck.........Frank
Hey Frap. Good Post and well said.The Tandberg X-10 was tough to beat sonically as far as the semi pro decks were concerned, but mine were always in for service. The Amperex 4oo series decks were always the work horse in the field and sonically consistant. I still have an Amperex 440 today, however my Studer G-36 stomps all over it and every other deck I have ever used including the professional Otari sporting a 1 inch tape drive.It is incredibly reliable and always sounds like magic!
Frank, glad you checked in to say hi!

Thanks for all the info and come back soon.

db
Great site: http://www.phantomprod.com/vinListA.html

FYI (for y'alls info) - I came across this site for vintage recording gear, especially reel to reel decks. they have pictures for others like me who don't know what we're reading when it comes to this stuff anyway.

they prety pitures.