RU recording LPs on Reel to Reel ?


or is this just O-U-T?

I'm appreciating analogue more than ever with my new setup and want to record some of these LPs but on to what? I'm interested to know what your thoughts are between reel to reel sound and the sound from a cdr, perhaps through a computer with a good capture card and an EQ program or whatever's best digitally.

Even if reel-to-reel comes closer to the analogue sound of an LP, is the benefit minor allowing ease-of-use to tip the scales towards digital? Right now the glamour factor is telling me to go out and get a tape deck and the fear factor is telling me to stick with what i know.

I was surprised that a search here didn't pull up some posts on this subject...which makes me think reel-reel is just out except for pro engineering.

(Really, it's just jumping up to turn over these LPs that's getting me a bit ...jumpy.)
kublakhan

Showing 2 responses by ecclectique

Hey Kublakhan. Great thread.While I don't have much experience in the digital format,I still record on a vacuum tubed Studer Revox G36 2 track recorder, and have for close to 30 years.It is imperative to record at 15 ips for top quality recordings and... no, I do not use any dolby on my machine.The majority of my tapes recorded from vinyl will stomp all over my digital of that same recording.Some of these tapes were recorded more than 25 years ago! Many years ago I owned a DJ company and had 7 crews out there in wedding halls and parties most every weekend. We used mostly Revox and Tanberg machines.They are precision semi-pro decks that will mirror the input signal without the digititis found in the digital formats.They can be a little frustrating to operate at first but they do not take a rocket scientist to figure out.There are many pro recording studios out there dumping some fabulous analogue recorders for next to peanuts.The Otari 550 pro deck for example. Some of their pro decks that use the 1/2 inch and 1 inch tapes are superb sounding machines and some can be run at 30 ips.Keep in mind the liabilties that go along with the territory...Quality tape reels are hard to find and getting even harder all the time.Proper maintenance is also a must. Revox still has service depots through out North America for all their tape recorders.Here is an even better deal and should cost you less than $100!!.There are thousands of Beta video recorders out there in basements collecting dust.This is the perfect format for recording any medium and the sound quality is absolutely top shelf.Trust me on this one guys,you won't believe your listening to a tape,its great for your treasured vinyl....simpy record and label the tape.Some of the early CD's[blahhh]will be "almost" listenable sitting down[you know what I mean]The better recorded CD's will knock your socks off.Great for parties and casual listening.Just make sure the deck has variable record inputs in 2 channels.I have both a VHS machine and a Sony beta machine and the beta just kills the vhs machine for audio. IT certainly is an inexpensive way to store music, the source could be vinyl,digital or a live band in a local pub. Enjoy.
Hey Frap. Good Post and well said.The Tandberg X-10 was tough to beat sonically as far as the semi pro decks were concerned, but mine were always in for service. The Amperex 4oo series decks were always the work horse in the field and sonically consistant. I still have an Amperex 440 today, however my Studer G-36 stomps all over it and every other deck I have ever used including the professional Otari sporting a 1 inch tape drive.It is incredibly reliable and always sounds like magic!