SACD finally taking-off? non-classical listeners


It looks like SACD might finally lift-off this fall with the Rolling Stones releases. The engineer claims the SACD revisions sound 40% better than the standard on these hybrids.(Ice Magazine)
Meanwhile, there are some interesting releases on DVD-A that are too interesting to forego; Fleetwood Mac "Rumours", and "Crowded House". Both redbook versions of these discs are non-listenable with good equipment.
What is the answer for a "2-Channel Person" who wants great sound without the "snap, crackle, and pop" of the LP?
Is there confidence that both of these formats will exist in two years?
Is the purchase of a dual SACD/DVD-A player foolish, or the only answer?

Please advise,
CB
cbucki
I make my comparisons ala VHS vs Laserdisc. There are many parallels. Laserdisc was SO FAR above VHS tape from the day I saw a Pioneer demo in the mid 80's, and it never took off in the mainstream. I believe Pioneer absolutely dropped the ball by not marketing the software more aggressively!
SACD (2 channel) sounds great in my system. I bought my Sony player used (mint!) for less than half of the original price. The frosting on the cake is that unlike LD & VHS my Sony SACD plays all my red book cds & sounds very good with them too. So far, Sony is doing a dismal job of bringing software to the market...
Nevertheless, does anyone on this site really think the big manufacturers are going to rush to market with anything (especially 2 channel!) close to or better than SACD anytime soon, to please our small segment of the market?
I bet my investment in my SACD player & the discs I've purchased so far that digital will languish for some time right where it is now.
I've heard multi channel SACD. I'm convinced the reviewers who praise it now are the same shills who would have also praised early digital...
Long Live 2 channel SACD! Until I hear something better, this is my format of choice.
Would be nice to see a list of SACDs that you folks think
sound as good or better than their LP or CD counterparts.

Having tried both SACD & DVD-A, I can say the best recording
in both formats sound very good, but a good turntable set up
still has more musical information.

A lot of the remakes, like the DVD-A version of Rumors
aren't worth the price of admission, and who wants to listen to audiophile recording of no name groups recorded in some old church by wantabe engineers like JA.

It's obvious Sony is trying to save SACD with the release
of many low priced players, but they also have to lower the price of the software and increase the catalog.
Happily, both SACD's and DVD-A's are in the process of price reductions that make them comparable to cd's. This should help both formats.
What is sad to see is so much mis/disinformation about the formats themselves. Imin2u, DVD-A and SACD *both* use LOSSLESS compression, which means that the values of bits are regenerated exactly as they were originally recorded. There is nothing wrong with, and everything right with, lossless compression. If you are reacting to the advertising by DTS that they produce 'DVDA' discs, you are right about that one. DTS is a compressed DVD-Video format, whether used for music or not, and their advertising is baloney.
We have all heard for years and years that the problem with CD is that it was limited to begin with. Now with not one but two options (probably the biggest problem) and people are complaing that they don't want an expanded format because it's too complicated (please!), it will require dual layers to be backwards compatible and yet don't want to have to replace their existing library (doesn't the first part negate the second part?)and because auditions of first generation players can't compete with much more expensive and sometimes more labor intensive gear that has had up to 50 years of maturity behind it. Some of which isn't portable, more than a little delicate has issues of software availability if not obsolence and not a great deal of hope for any dramatic improvement in the for seeable future. I'm unhappy because the prices are too high, the selection is too limited, the new formats are rarely compatible (I know of only 2 players, both Pioneers that are not exactly high end) and worst of all not future compatible. No digital out stifles independant artists and small firms, means no upgrade path, doesn't allow for recording (customizing various tracks for your car or what ever) and the one that really gets my goat, forcing one to go from native digital to analog back to digital (what a cluster#&*!) to perform what may become IMHO the greatest boon to audiophiles, room correction.