Top resistors


Many threads with opinions on boutique coupling capacitors, but very little consolidated information on the sonics of resistors. Anyone care to share their thoughts on the attributes of their favorite brands & types for specific tube and SS applications? How much of a difference does a good resistor make?

My interest in the topic increased after recently installing the latest Texas Components nude Vishay TX2575 in several SS and tube phono & LS components. This was a proverbial "Ah-ha" moment-- a stray resistor dropped into signal path here or there, surprising with an improvement that equalled or surpassed the impact of a switch to a top coupling cap like V-Cap or Mundorf.
dgarretson
Carbon Comp is pretty bad - in addition to noise is nonlinear vs. voltage. Carbon Film is a little better.
Another vote for "naked" Vishay resistors. It is amazing how they transformed my Counterpoint NP100 power amp.

I first got a Counterpoint SA100 as my 2nd system. It was quite musical. But it ran too warm, and it sounded better the warmer it got, by adjusting the biases. Then I upgraded it to NP100 Basic. It ran much cooler and sounded a bit better.

Then I upgraded it to NP100 Basic Gold. It sounded real nice then. So I moved it to my main system and moved my KT88 monoblocks to the 2nd system. I thought it was good enough until a friend brought his NP100 Premium Gold to my house. The NP100 Premium Gold has "naked" Vishay resistors in the critical signal path. Within 30 seconds after switching to his NP100 Premium Gold, I knew that I had to upgrade my amp.

Instead of upgrading to the same level, I chose to upgrade my amp to the top level, NP100 Platinum, which uses "naked" Vishay everywhere. It was a very expensive upgrade. But the results are amazing!!

I think I am set with my power amp, after the "naked" Vishay upgrade. Now my NP100 Platinum drives my JMlab Alto Utopia with authority and yet is so refined like a SET amp.
I'm a newbee when it comes to circuit tweaking, but I recognize the importance of low noise resistors in critical positions like input stages. As I said above, the folks at Audio Asylum steered me toward carbon comps. I took their advice and used them in a position that connects the coupling caps of my amp's input stage to the power stage. This is obviously in the signal path. For those that like details, here's the circuit diagram and resistors in question: R18, R19, R20, R21.

After reading the article: Resistor Types - Does It Matter?, and hearing what others have said, I realize these are the worst possible resistors I could be using... especially with a 1/2 watt power rating.

The article states:
Contact noise is dependent on both average DC current and resistor material/size. The most significant contributor to noise in guitar amplifiers is the use of low-wattage carbon composition resistors. Since the noise is proportional to resistor size, the use of 2W carbon comp resistors will improve the performance over that of 1/2W resistors. Studies have shown a factor of 3 difference between a 1/2W and a 2W carbon comp resistor operating at the same conditions.
Another interesting quote:
Wirewound resistors are the quietest, having only thermal noise, followed by metal film, metal oxide, carbon film, and lastly, carbon composition.
So I want to replace the carbon comps. My question is whether TX2575 or TX2352 are overkill for this situation. They aren't cheap at $10 and $7 a piece. I need a total of eight. Would Mills MRA-5 wirewound be a decent option? They're less than half the cost.
Noise from resistors is based on the amount of current flowing through them, and there's virtually none flowing through R18, R19, R20, and R21, especially at audio frequencies. These are "grid-stoppers", whose purpose is to create a high-frequency pole in the amplifier's open-loop response, in conjunction with the output tubes' grid (Miller) capacitance. Don't worry about these.

If your want to swap some resistors, I'd start with R2 - the voltage that is amplified by every other stage begins as a current through this resistor. Second would be R12, then R3 and R4, as this makes up the feedback ladder. If you change R12, you might put a high-quality polystyrene cap for C4.

For plate-load resistors like R2, you should keep an eye on resistor voltage ratings as well. IIRC, the Vishay S102 is rated at 300V, so if the 'naked' derivitives are rated the same, you should be fine here.
Many thanks Kirkus. I appreciate you taking the time to look at the schematic and offer such a thoughtful reply.

I have PRP's in the positions you mention. In your opinion, would it be worth swapping in low noise resistors or will the benefit be marginal? It's probably hard to know the results for sure, but thought I'd ask anyway. I'm willing to upgrade if it offers an improvement, but don't want to throw money at the situation when it doesn't do anything.