I do agree there is no Definitive Best but at some point you must know what you are trying to accomplish with your personal system. This is a huge problem and my opinion this is why people keep buying and selling equipment. My goal has always been very clear; try to reproduce what the recording studio intended you to hear, good or bad. Once you reproduce the artist at their purest form you will become emotionally attached to the recording if you have your system correct. Cables are the artery of your system and without proper cables your arteries become clogged and your system dies. It is surprising how many cables actually clog the system but again this really is just another opinion.
The best digital IC, period.
I've spent a great deal of time, too much really, to find the best IC between my transport to my DAC. After listening to six cables from some big names and big $$ as well as some not so well names for small $$. The winner came out to be a HAVE/CANARE $25 IC. With this cable there is no eye candy at all, ZED, but it's combination of GEPCO International, VSD2001 high definition 75ohm serial series digital coax, and CANARE true 75ohm RCA terminations, simply killed all of the esoteric cables with a few others coming in very very close, but the HAVE/CANARE $25, 3' was just beyond belief. Now I know that people feel strongly to use at least 1.5M in length for a DIC, but with this company I tried cables at length of 12" to 1.5M, i tried them all and the best of the buch was their standard 3' cable, defying the math. Hey, for 25$?
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- 102 posts total
- 102 posts total