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Technics: PLINTHS: Dobbins, Porter, or Thompson?


Hello,

Trying to decide among Steve Dobbins', Albert Porter's or Christopher Thompson's plinth for my Technics SP10 MkIIa TT. Each person has but a great deal of thought and experimentation into their product.

I'm looking for input, suggestions and opinions --based on experience-- about the best plinth for my listening preferences. They are: musically authentic, neutral, evenly balanced top to bottom and completely transparent.

I prefer to feel that I am being transported to the recording venue than that the musicians are in my listening room. My system is the Aurum Acoustics Integris. The preamp and phono pre are integrated in the Aurum CDP. I plan to use a Reed 12" arm.

Has any of you heard one or more of these plinths in use with an SP10 MkII TT? I am very interested to learn your thoughts and listening impressions.

I've asked, but there are no Thompson or Porter plinths close enough for me to audition here in the Northeast, or have I missed one?

Thanks very much for any help or suggestions you can provide.

Happy Thanksgiving,

David
128x128cdk84
azjake's avatar
azjake
284 posts
 
I have one by Chris, a Thorens, and two by Steve Dobbins, a Technics and a Garrard.

Chris is more the purest whose finishes are the most unusual, though the mechanics are not necessarily updated, just cleaned,lubed etc...
Almost EVERYTHING Albert does will be top notch as his are meticulous!

In the end...I have ordered Steve Dobbins new table Kondo [the Beat] Figure your budget and patience,research or talk with them all and go with your own impressions!
lewm
12,488 posts
 
Azjake, To be fair, the Beat (Kondo?) is a complete new turntable. This is not to say that I am not envious; I heard the Beat at RMAF and was blown away. Anyway, the OP wants to know about plinths. Do you have a feel for the Dobbins' plinths vs the Thornton plinth? (From what I can find on the internet, and since I was not aware of Chris Thornton's work prior to this post, it seems he makes plinths for Thorens tables and is just getting into making them for Technics tables.
franks
151 posts
 
I have not heard any of these plinths but I can say that Albert Porter is a class gentlemen who I wouldn't hesitate to buy from. I have no doubt his plinths are outstanding. Steve Dobbins I know of only by reputation but I don't think you can go wrong there either.
Another "brand" of plinths you might consider is OMA slate plinths from Jonathan Weiss. If your from the northeast they have a showroon in NYC. At the least you would get a chance to hear an SP 10 in a proper plinth. They also make a SP 10 where the individual components are taken out of the metal casing and individually mounted in a 200 pound plinth. You can check out their plinths, etc. on their website.
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rauliruegas
12,815 posts
 
Dear Cdk84: None, go naked IMHO nothing even or meet it on quality performance:

http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1283151240&&&/Nude-Turntable-Project

I heard two of the ones you mentioned and I like Halcro and other Agon friend have naked version with very good results.

It is easy to do it and less expensive if you don't like it then you almost lose nothing and you could go for the other alternatives.

Regards and enjoy the music,
Raul.
crubio
89 posts
 
I would second the OMA route. I have an sp-10 mk2, it's fantastic and dealing with Jonathan has always Bern extremely possitive.
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