Anyone here knows the Reed 3Q tonearm?

Dear Curio: When we heard/hear live music normally the sound does not comes relaxed and laid back ( of course that depends at what distance we are hearing. ). If we hear a Steninway playing at normal levels at three meters we can't find out a relaxed and laid back performance, almost the same with any other music instruments including human voice.

The microphones in a recording normally are nearest to the " stage " that when we attend to hear live music so what we ( in a good recording that's not manipulated one. ) have to hear at our home audio system should be in this regard something near of what we hear in a live event and not that kind of relaxed and laidback performance. All the live music has a natural agresiveness that almost all audiophiles does not likes in their audio systems, why is this?, I can't understand.

Of course that if the recording was manipulated to performs relaxed then you will hear in this way.

A 12" tonearm has some advantages and some disadvantages but IMHO I think this subject could be not the main subject of what you are hearing with the Reed but more the relationship between your Benz Micro cartridge and the tonearm build materials that " resonate " with that tone balance ( yes, a 12" tonearm design resonate different form a 9" even with the same tonearm build materials but through my experiences not in so dramatic way. ) that IMHO does not reproduce the recording information in more " natural " way.

If the Graham or the Triplanar or the own 9.5" Reed or any other tonearm gives you a more true and real performance then maybe this is the road to take.

The other alternative is to find out a cartridge that could do the " trick " with that Reed tonearm.

Regards and enjoy the music,
Raul.

Ps.: Of course that I'm assuming that VTA/SRA/Azymuth/VTF cartridge set up parameters are just on target.

12" arm does sound relaxed. I have 6 9" arm before I get 12" Grandezza. It does sound better in all department, which is why I'm reluctant to get 10.5" for my next tonearm.

Hi Curio, The longer the tonearm the smaller the tracking error. But the longer the arm the higher the eff. mass.
If your wood choice for the Reed Q is Cedar then the compliance of your Benz LP should make a good combo with
your Reed Q. BTW it is not clear if you already own the
Reed. It looks as if you have one to experiment with and decide to buy or not later?

Regards,

Dear Mesael: +++++ " 12" arm does sound relaxed. " +++++

well IMHO if that is what you heard then your 12" tonearms were wrong with the cartridges you mated.

I try several 12" tonearms ( even against the same manufacturer 9-10" models. ) and I don't heard that relaxed sound.

Of course with a different audio system you have and with a different targets and priority quality performance home audio system music reproduction.

I'm not against " relaxed " sound but I'm for natural, true, accurate, non-colored and real sound as best we can mimic at home and taking always a live music as reference and not what " I like ".

regards and enjoy the music,
Raul.

Hello Raul, maybe I'm using the wrong term, I'm not good with words anyway. What I mean is I feel more at ease with 12" tonearm.

To be more specific, with Judy Collins "Judith" which is my reference lp for female vocal. 1st tract side A, with 9" tonearm there are parts like she's almost to a point of shouting,and more upfront. With 12" tonearm her voice feel relaxed and I never get tired of playing it. One may point out I'm using different tonearms. But how many could afford one 9" Grandezza and another 12" in this real world.

Happy listening,