VPI Classic - Now you have one......


For all who have had the Classic for a while now...what's it like to live with and is it what you expected it to be or more/ less?
robm1
Philb7777...interesting comparison. Did you use same tonearm and cart as well on the 3 tables or no? How about isolation under the tables (same or different)? Just curious if there were any different variables or if you used precisely the dame variables when comparing the tables. Thanks for doing the comparison and posting the results.
Here was the set up:

Aries 1 with JMW 10.5 tonearm and Dynavector XX2 and Zoethecus stand
Aries 3 with JMW 10.5i tonearm with Dynavector XX2 and Zoethecus stand
VPI Classic with JMW 10.5se tonearm with Dynavector XX2 and Zoethecus stand

The same dyna xx-2 was used in all set ups and was calibrated with a VPI jig in the Aries 1 and a Mint tractor specific for JMW 10.5i and 10.5se in the Aries 3 and Classic. Same downstream system for all three set ups. VTA and VTF determined by same process in all three tables.

We felt we were very accurate in comparing 'apples to apples' about as much as we could. We even tried the paper and rubber mat the aluminum platter comes with in the Classic on and off and liked the Classic without any mat on the platter best. But in our set up and comparison, the Classic fell behind the other two tables by a not insignificant margin.
Oh yeah, and we used an SDS in all three set ups too. Unanimous that the SDS helped all three tables.
I must say that one of the more frustrating things about high-end audio choices is to read completely different opinions on the same product, which tend to leave others quite confused. Especially when meaningful auditioning is not possible. A vinyl specialist from a very respected and popular dealer shop that has been in business for decades had this to say about the Classic:
"We basically recommend the VPI Classic over everything under the $5100.00 Basis 2000/Basis Rega arm...[The Classic] is well-built to even the most casual observer. Heavy and stable, with big, adjustable feet, it is easy to set up and not prone to accidental misadjustment or drift of tonearm or suspension geometries. The JMW 10.5i tonearm can be damped with silicone fluid which allows some tailoring of the tonearm's performance and sound, and it will work well with the Soundsmith Aida's slender physique. The soundstage is large and deep with precise imaging, the bass is solid and the midrange and high frequency response is detailed and smooth. We think it is an all around best buy."

This was in response to my question whether he would recommend the NA Space 294 over the Classic. They carry both brands so I have no reason not to trust this salesperson's opinion, especially since the Space 294 is much more expensive than the Classic. Certainly the majority of professional reviews have been very positive, which leads me to believe that it is not the table as much as the different tastes of those who don't rate it as highly as most.