Phono stages belong to which tier?


I feel the phono stage is the most critical component in an analog system since it is an important part of the source. Which phono stages have you heard and in which tier would they fall in 1st 2nd or 3rd?
From reading the threads here: aesthetix, manley, lamm, fm acoustics, einstein would probably fall in the 1st.
Please include stages that have been listened to extensively and those that have been heard breifly.
pedrillo
First Tier Class A
ASR Basis Exclusive 2010 or any prior version

No question about it.
One of my audiobuddies owned a ASR Basis Exclusive. He sold it for a Audia Flight phono.

The Audio Flight is superior in every music making aspect. I gotta hear the Audia Flight myself
I tried EAR 324 and Asthetix Rhea with my ASR II Exclusive. Asthetix was terrible. However, without any previous listening test, my Asthetix dealer warned me that he think it would be a poor match to ASR according to input impedance on ASR and output impedance on Rhea. He even told me that I would waste my time trying but I was curious so I tried anyhow. He was right. If his theory was right, in my system, I can also rule out Audio Research, Pass, Lamm, Leben and most other tube phonos that I could find spec as well. EAR 324 was much better match (according to its output impedance and listening test) but when using MC cartridge (Ortofon Jubilee at that time), I much preferred using Ortofon T100 SUT into EAR MM input rather than directly into its MC input. Then I tried ASR Mini Basis with Ortofon SUT and I found that EAR/Ortofon was not any better than ASR Mini Basis/Ortofon in my system. ASR Mini Basis MC input is not bad either. However, it is very likely that ASR phono and amp may have special synergy and in different system, it might not be as close a call. Now I have ASR Basis Exclusive 2010 on order.
Basically it is not enough to just list the best phono as much will also depends on the rest of your system as well.
JJ2482,

The Lamm with Westerm Electric NOS 417's is splendid offering resolution and a touch of warmth. Paired with the LL2 it soars and together they make a very listenable top tier combination. The lack of adjustment and limited gain in the MC section, perhaps keep it from being a free standing reference phono stage.

The Allnic's transformer coupling provide intense image density, which excells every other pre-amp I have owned. It's excellent resolution will not have have you looking elsewhere, and it's bass attack is also amoung the best I have heard. The sound stage while large is not enormous like the Aesthetix IO. Very low noise, ultra quiet and low distortion allow you to play music louder when you choose to.

Flexibility is tops, balanced or single ended, multiple loading adjustments, etc. also... allowing 4 turntables switchable from the front panel or remote control, comes with NOS tubes. It is a true reference phono stage.