Glanz moving magnet cartridges


Hi,

I have just acquired an old Glanz G5 moving magnet cartridge. However, I cannot find out any details about this or the Glanz range or, even the company and its history.

Can anyone out there assist me in starting to piece together a full picture?

Any experiences with this or other Glanz's; web links; set up information etc would be warmly received. Surely someone knows something!

Thanks in hope
dgob
Regards, Nandric: Nikola, apparently Henry holds you in such high esteem he wishes to spare you the frustration of finding the "E" and "Ea" styli are of different geometries.

If I remember correctly, the TK1Ea and TK3Ea were of lower inductance, 490 ohm. This may indicate, perhaps, a cantilever resonance with the .3 x .7 TKN3Ea stylus that the lower inductance moves out of the audible range. Boron, beryllium or "ruby" cantilevers also have this influence on audible resonance. The TK9/10 at 550 ohm, the TK7Ea/LCa at 580 ohm. Excepting the TK10ML, the TK7LCA provides the best specs in channel balance and separation, exceeding even that of our TK9LC. 33 dB separation/0.5dB balance as compared to 30dB/.75. For the TK10 ML, separation at 35dB, bal. within 0.5dB.

Apologies to Dgob for the previous thread drift but it might be observed that the TK1E (no "a") and the TK1Ea are both extremely "plasticy" carts. Plastic contributes to resonance and these carts may do best on a low mass arm where diminished rigidity permits the line transference of that resonance into the arm.

The TK3/5E & TK7E/SU, Signet states, were "listener tuned" to what we must remember were audio sensitivities which might be referred to as a "70's sound", more organic in their voicing. The relatively large cavities surrounding both the cart's generator and stylus grip have to be considered as, to some degree, contributing influences in the voicing of these examples.

Moving the discussion closer to previous topics, for the Acutex carts the Saturn V graphite integrated headshell is adjustable for both overhang and azimuth. Lacking Raul's immediate grasp of the subtle, I've not listened to it enough to be able to say more than it does make a difference in reducing the "microphony" of the Acutex carts.

Nikola, the Ortofon LH-8000 Japanese oak headshell dampens the intentionally(?) resonant qualities of the TK7E/SU without diminishing it's other attractive qualities. Henry has recently mentioned this headshell. As evidence of your great friendship, perhaps you might have more success in anticipating he'll send you the headshell (which you should appreciate in conjunction with your TK7E) rather than a stylus which for your application is incorrect?

Now, out of respect for Dgob shall we return to the discussion of, um, was it broccoli & pate?

Peace,
Dear Professor, I already mentioned your remarcable memory
but if we see you as an encyclopedia you will get more emails than you can probable manage. I thought that those post fix markers like E, CL, EA, etc. refer to the stylus
kind or shape. The marker 'SU' by Signet 7 is different in
this context and I have no idea too what this marker refers. But there is obivously some disagreement between you and Henry because he uses the 155 cl as 'implant' also for this cart. I assume that the corpus or the body or the generator of the 7E and the 7SU are the same. So if the 155 cl is not suitable for my 7E why well for the 7SU? Regarding the headshells I have a specific problem. I hate to pay too much for those. There are those magnesium headshells made by Jelco (?) and sold under different names for about $50
(40 GBP on ebay.uk). To me those are 'perfect' headshells with good wiring and azimuth provisiom and +/-13 g. I bought 4 of those and own ,consequently, also 4 specimens of 'something' like my friend Henry. With the headshells from my (2x) FR 64 + Lustre 801 this means 7 (preadjusted) carts and many combinations possibilities. If I was as good in math. as Henry I would mention some numbers but alas. Anyway I don't need 'too many' of those.

Regards,
Regards, Nandric: Audio Technica nomenclature is simple. Almost. In the instance of the TK(x) carts, the first production might be called "big-block" carts, they are most easily described as rectangular. This would include the TK7E (elliptical) and TK7SU (Shibata). Any revisions would have the added "a" after the designation, think "Mk 11". The TK(x)a carts are on the AT120 design, one that continues with the contemporary AT150MLX, 7V and 150ANV.

If you go to: http://www.turntableneedles.com/AUDIO-TECHNICA_c_25165.html and scroll to near the bottom of the page, you'll find the styli for both the TK7LCa and just beneath it, the TKN22 for the earlier design. Click on the image & then hover the arrow over the pictured stylus & it'll rotate. A really useful feature.

Pay attention to the "plug", the feature that inserts into the "socket" at the bottom of the generator. The early iterations have a round plug, the later design is rectangular. They are not cross compatible. Also, the bottom of the generator is angled, there are differences here, too. Other considerations can usually be overcome by a determined man wielding a hobby knife.

If your cart looks like this:

http://www.ebay.com/itm/AUDIO-TECHNICA-SIGNET-TK7LCA-CART-GENUINE-AUDIO-TECHNICA-SIGNET-TKN7EA-STYLUS-/160876230864?pt=US_Record_Player_Turntable_Parts&hash=item2574f878d0

then you & Henry can resume negotiations.
Peace,
Timeltel,

"Now, out of respect for Dgob shall we return to the discussion".

Don't mind me.

As always...
Dear Nikola,
My 'Slavic' friend......perhaps I was dreaming of the Baltic?
I was not impressed with Belgrade when I was there 40 years ago.....and in a Skopje campsite (I know it's really Macedonia but then.....everything was Yugoslavia!) on the toilet wall was written...."If the world were shaped like an elephant, then Skopje would be the a..hole".

Our friendly Professor has confirmed my thoughts...and at the same time....'invented' another friendship 'test'!!!?
To clarify his 'gospel' a little further.......when I purchased my NOS Signet TK-7Ea....it came complete with the No.2 and No.3 Signet stylus assemblies.
With the No.2 inserted ( as I understood it)....you had the standard 7Ea whilst with the No.3...you had a TK-7SU (Shibata profile).
This is Audiofeil's favourite cartridge according to his postings?
There was another Signet stylus assembly (which I have never seen but the Professor actually owns).....with a Line Contact diamond which....when inserted.....transforms the 7 into the TK-7LCa (the Professor's favourite cartridge).
The 155Lc is the closest we mere mortals can come to this behemoth and in my book.......it is pure bouillabaisse!

Regards