May I add some ideas about that?
Forget those "Audiophile " Pressings (or the most ), they have nothing to do with the real thing, or Reissues, their high frequencies are lost in general.
These pressings are nice to have, sound good for most Systems, but they do it in lower class C Systems, too. These records don't go with the better Systems, they level everything. The only exception I know is the 1. LSC series from Classic Records when Wilkinson was hired for checking the process.
When someone has no idea about that, try to learn and don't list records which are better saved in the "Records To Die From" List
I list a few which are easily to get in 2. Hand market for little money too
Some of the good - normal- ones:
AC/DC ( Bon Scott ) High voltage Atlantic 1//1,2,4 2//1,2
Cash, Jonny American Recordings American 9455201 1//1,3,7
Eagles Hell Freezes Over Geffen 24725 2//1,2 3//3
Scruggs, Earl Nashville's Rock Columbia CS1007 1//5,6 2//3,4
Wassermann, Rob Duets MCA 42131 1//3,4 2//1
Classic Records
Bruch Scottish Fantasy - Heifetz RCA LSC 2603-45
Gounod / Bizet Faust - Carmen RCA LSC 2449-45
Walton Facade Suite RCA LSC 2285-45
Soundtrack Paris, Texas Warner 925270-1 1//1,2,3,4,5,6 2//1,2
Soundtrack The Graduate Columbia OS 3180 "360 Sound"
They can show the "Real thing", AC/DC has an enormous upper headroom...