Unipivot vs Linear Tracking


I set up my first Unipivot arm night before last. It took roughly 5 hours to set up and I am still tweaking various parts and cartridge, what a work out. The arm is a Scheu classic with the Scheu Premier I turntable and a Scheu Benz cartridge.

Now I have two questions for the Audiogon club.
1. Do you consider linear Tracking superior to Unipivot?
2. Which would you say is harder to set up properly?
128x128spl
Dear Thomasheisig: +++++ " A linear Tracker is in my opinion very sensitive to the quality of the Turntable " +++++

to the inherent quality of the turntable it self or to the " TT arm board ( TT suspension and vibrations disippation. )?

regards and enjoy the music.
raul.
Cmk thank you for illuminating me to the audible difference between a LTT and a pivot arm.

I've been told that for an air bearing LTT arm, the air pressure has a relationship to the quality of the low end (bass) delivery.
I own the Scheu Premier mkII(80mm platter) along with the top of the line 9" Scheu Tacco unipivot AND the Cartridge Man Conductor linear tracking, air bearing, tonearm(HiFi Plus review). Both cost ~$3,000 US.

Unfortunately, I do not have the Premier with dual armboards(nor two of each cartridge), so it is impossible to A/B comparisons. Nor am I anything close to an expert at setup, so I have no idea if I have ever heard an optimal cart/arm matching in my system.

Which sounds better on the Scheu?

I really don't know. The amount of time between setups is so great, I would be lying if I even tried to venture a guess. I can say both knock my socks off when mounted and properly dialed in. So much so, that in the last year and a half, I haven't been able to get up the guts to sell either off.

Both have the advantages and disadvantages. Aesthetics go to the Tacco. Ease of use/setup goes to the Conductor.

Primary dowsides: As with all LT's, pump noise and air hiss is an issue to deal with, especially if your turntable is close to the listening position.

The Unipivot always causes stress/fear when cueing an expensive cart. Nothing like seeing it do it's version of a drunken jackhammer.
There just happens to be a NEW series II Graham Phantom out,as of now!....Supposedly some "serious" mods have been made to it!

If I'm lucky,I'll have it in about a week or two.Along with a newly modded pre/phonostage(new V-teflon caps and a new figamajig P/S....power factor correction circuitry)....

Maybe I'll feel differently about my previous experiences with my pal's wonderful LTT set-up.Of course I'd be shocked if I could match what I've heard in the past,but I'm confident I'll have a pretty acceptable level of performance.

Only problem is the 400 hour break-in of the new phonostage caps.I'm not one to leave something on continuously to break it in.

So,acording to the jabs I've been getting from my friends,I should have some meaningful feedback by Thanks Giving -:)

At least I'll be able to play LP's again.Something ALL of "you" guys have been able to do,that I could NOT for WAY too long!....

Hence,my angst!
Hello Raul, well I think, to the inherent quality of the turntable itself. The LT has - normally - are very wide soundstage and is very silent between the notes. This can be limited from the TT itself (from the construction, there are limitations in the music flow), probably these old Micro Seikis are better in that than most of todays designs.