Raul, I can see we indeed have different ideas about music/sound repro, so I'll inform you and others from where I speak.
Music has been my love since childhood, both prerecorded and participatory. I play piano, guitar, percussion, trumpet, clarinet, flute, and just about anything I've ever picked up in my hands. I have owned a music store for more than 20 years and built a recording studio in the back to record myself and other people. I design and build my own tube amplification and speakers, and sometimes tweak my setup till I'm dizzy in the head.
I know what a Selmer Mark 6 Tenor sax, Guild D-40 acoustic, or Sabian medium thin 16" crash sounds like because I can walk right over to one and play it or have one of my teachers play it, anytime I want.
And I am fully aware of the limitations and intricacies of prerecorded music, analog or digital.
If I may, I would suggest you review and re-assess your 'audio priorities'.
Music has been my love since childhood, both prerecorded and participatory. I play piano, guitar, percussion, trumpet, clarinet, flute, and just about anything I've ever picked up in my hands. I have owned a music store for more than 20 years and built a recording studio in the back to record myself and other people. I design and build my own tube amplification and speakers, and sometimes tweak my setup till I'm dizzy in the head.
I know what a Selmer Mark 6 Tenor sax, Guild D-40 acoustic, or Sabian medium thin 16" crash sounds like because I can walk right over to one and play it or have one of my teachers play it, anytime I want.
And I am fully aware of the limitations and intricacies of prerecorded music, analog or digital.
If I may, I would suggest you review and re-assess your 'audio priorities'.