I would rewrite your thread title a few different ways. Linear Tracking vs. Unipivot could be one title. A 2nd would be tonality vs. accuracy. Colored vs. Accurate is in and of itself biased.
As a Raven owner, I would suggest that the table takes on the character of any mat, any tonearm, tonearm cable & of course cartrdige that you use. This of course is system dependant. I would look at Albert Porter using a Jade & now a PC-1 on a very accurate turntable such as a Walker. Both "colored" cartridges. I used 3-5 cartridges & play around. I prefer neutral when the recording is right. On some recordings a bit of color helps. On others, accurate is the way to go. The Titan I is probably one of the most accurate cartridge. Yet, it misses the magic of a Miyabi or Koetsu.
The thrust of the Raven, which was not addressed 100% in the review is that you can change mats, arms etc. & you will hear it all.
One more thing, with 2 different phono stages, you can often match 2 different tonearms to 2 different cartridges on 2 different phono stages to get almost an equivalent sound out of both arms. It truly is a search for system synergy. In the Ravens case, it allows you to have a few different systems ready to go for different recordings.
As a Raven owner, I would suggest that the table takes on the character of any mat, any tonearm, tonearm cable & of course cartrdige that you use. This of course is system dependant. I would look at Albert Porter using a Jade & now a PC-1 on a very accurate turntable such as a Walker. Both "colored" cartridges. I used 3-5 cartridges & play around. I prefer neutral when the recording is right. On some recordings a bit of color helps. On others, accurate is the way to go. The Titan I is probably one of the most accurate cartridge. Yet, it misses the magic of a Miyabi or Koetsu.
The thrust of the Raven, which was not addressed 100% in the review is that you can change mats, arms etc. & you will hear it all.
One more thing, with 2 different phono stages, you can often match 2 different tonearms to 2 different cartridges on 2 different phono stages to get almost an equivalent sound out of both arms. It truly is a search for system synergy. In the Ravens case, it allows you to have a few different systems ready to go for different recordings.