Record to break your lease.


Some of you might have this record or heard of it. It’s Respighi’s “Feste Romane” and the “Pines of Rome” on an Original Master Recording with Lorin Maazel and the Cleveland Orchestra.  It may not be the best performance out there, but, undoubtedly, it’s the most spectacular sounding LP I’ve heard.  The Feste Romana will shake your walls.  
You can find on Discogs for not much money.

Not the best music in the world, but impressive nonetheless.

rvpiano

Play Jimi Hendrix Machine Gun as if you were at the concert. Its got to be loud with speakers that have great base as well as a great high end. Those sounds will move mountains. (Smiles)

Not the best music in the world, but impressive nonetheless.

Respighi is perhaps the greatest master of orchestral color in the late Romantic period since Nikolai Rimsky-Korsakov.  He is masterful at painting rich colorful tonal landscapes and modal harmonies in his tone pomes like The Pines of Rome.  To achieve orchestral color he uses unresolved dominant cords such as 6ths, 7ths, and 9ths.  He also stacks 4th and 5ths.  This is what I love most about his chord structures, including the instances where this structure is slightly atonal or leaves me expecting to resolve to a traditional 3rd or 5th.  Also listen to the brilliant use of pauses and solos where the instruments sing.   Understanding the meaning of each section of this piece helps in hearing and “visualizing” the portrayed musical landscape -

At Borghese - Day; Joy of childhood; 

Near Catacombs- Eternal darkness; Faith, Death, Remembrance;

Of the Janiculum -   Moonlight; Reflection; The beauty of nature 

Oh the Appian Way - Dawn; History; Destiny 

Listen again with these landscapes in mind you will understand that it is the best music from a genius able to structure orchestral tones to paint musical landscapes you can feel and see as well as hear.  That is also why audiophiles generally love this work for it showcases the harmonic capabilities of their system.   I understand appreciating any composer or work from that composer is personal and subjective, but to classify it as “not the best music” is an injustice in my opinion.  


 

My version of Pines, Fountains and Feste is Muti's. But I think I prefer the Ancient Airs and Dances, Sinfonia Drammatica and Church Windows.

I prefer the version by Francesco Mander with the Orchestra Filarmonica di Trieste. I have several of this work, but recording on RCA Italiana and this performance is my favourite.