TT and phono preamp - what best match for my system


I need some expert advice for me to take the plunge into analog finally after years of digital streaming based components.  Would very much appreciate ideas on what TT and phono preamp combo might possibly best complement my existing system.  I do have a HiFi Buys near me (Nashville) and have recently purchased Sonus Faber Lumina V Amator’s from them. Good folks there, so I would consider purchasing this setup through them.  I can spend up to 7-10k (if i push it) USD.
My goal here: to go analog and add a highly resolving analog source that will push the boundaries and maybe exceed the capabilities of the rest of my components, to set me up for future improvements.

Here’s my existing system:
- Denafrips Ares 2 DAC (being fed from a Mac mini where i run Qobuz.. i know i know. this is a pretty crap streamer. The Denafrips turns even this substandard streaming source into something quite nice)
The DAC feeds into a Parasound JC2BP Preamp which in turn feeds a Parasaound A21+.  I own two sets of mains, Magnepan 1.7i’s which i truly love for their clarity/soundstage/resolution, however i’ve also gone an recently bought the Sonus Fabers and am mostly running them now, for two main reasons 1) they are not cat trees (we have three cats and they see the Maggies as a climbing post.. i haven’t figured out how to solve this one yet, and 2) since this system is in the living room and main part of the house and used for literally everything including movies and casual listening, the dynamic nature of traditional cone speakers i think works well here. The Maggies strained a little in this general use (but frankly they beat the Lumina V’s when it comes to pure resolution).  In any case I’m quite happy with the Lumina V’s.

Aside: I do also have a pair of KEF LS50W2’s but that’s not a factor here.. i use them elsewhere and probably wont be hooking them to the analog source.

All this being said, here is what I am thinking.. where i am leaning. Tell me if I’m crazy or misguided or sound, or somewhere in between ;)
Rega Planar 7 + Parasound JC3+ phono preamp
PS: Unrelated to analog, I am considering adding a pair of REL T/9x's to the mains to add bottom.. either when using the SF Lumina V's or the Maggie 1.7i's. Which ever i'm runnign i'd run the RELs along with them.

I’m sure I will get some comments about depending too much on Parasound and that’s fair. I have owned my pre and power amp about 8 years now and just simply like them and like the brand so I’m a bit partial.  But this is why i’m asking here.. does this pairing make any sense (Claude seems to think so lol but he’s not you folks)

Hope i gave enough information to be useful. Happy to answer questions and thanks ahead of time for the responses

trebuchet

Of course it's. If not I don't recomended for your ezxcellent Sonus Faber. Problem is that its croosover 260hz and all the frequencies below around 300hz are hadled by the woofers at the same time that are thesemwoofer developing the 30hz-35hz up and this fact disturb in exccess those 300hz to around 100hx that are so critical for our MUSIC enjoyment then when you liberates the SF woofers to only handled from 90hz down your SF sound will shines and the bass range too when that high IMD didappears/lower.

 

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@rauliruegas i get your meaning. Incidentally Velodynes would help immensely with my Magenapans which really struggle on low end and distort greatly. A high pass filter approach for those could really fix that. Velodyne DD 12+ look like maybe an excellent fit.. a little higher than what i was hoping to shell out for subs. I may need to wait on solving the sub issue.

DD 10 can help too and remember that these subs comes with a DSp software to be integrated not only to the main speakers but to the room that's so critical.

R.

As to Phono Stages my experience has taught me that there is something very special about ALLNIC beginning with the H-5500.

Obviously, there are so many credible variables to this equation, a person could spend a week or more, evaluating and possibly listening to potential pairings.

Therefore, in order to establish a limitation to the equation, a person must establish a "Not to exceed" price point. Assuming there is one!

Otherwise, you could drive yourself crazy trying to determine a final choice. Not knowing what that figure might be, it would be impossible to make my recommendations.

Even in the "cost no object" category, the differences become so miniscule and exotic, that the decision is pretty much a crap shoot! In the end, the "big boys" make their decision more based upon exotic appearance than anything else.

And then, there is a another determining factor to consider. The cartridge!! !!!

Even if a person living in New York for instance, and having access to dozens of "high end" brick and mortar dealers, a person can't possibly access enough demonstrations that would end up helping to make that final realistic decision.

I've heard so many stories about audiophiles that have "gone down this road" and found themselves disenchanted a month later regarding their decision. 

That should sum up negative aspects of your quest.

And for GOD sake, don't fall into the trap of other "listener opinionation". EVERYONE HEARS THINGS DIFFERENTLY!! That is why there are so many products on the market, designed by an audio engineer "self opinionation". And that says nothing about personal taste in music. Believe me when I say that "taste" plays a big role in choice ! For instance, the sort of system choices a "rock head" would make, - - -I wouldn't touch with a 10' pole. Not that they are wrong in their taste!! !

And furthermore, unless you had narrowed your decision making to three of four specific product combinations, I myself would never attempt to try to "narrow the field" with my opinions as to the best out of the lot (with certain restrictions, naturally! )

 

GOOD LUCK !