I guess you have nothing you can say to logically counter what has been said.
The sound of silence, I guess. And "mastering engineer" in the marketing gets you to believe it all, I’m sure.
From the webpage:
THE SOUND OF SILENCE
Everyone that owns and operates digital front end electronics or spends their days as a digital mastering engineer understands the limitations of the medium. Most of us will allow that digital media played through a server or rendered in the digital domain can sound electronic, edgy, noisy, forward and hard, especially with music that has powerful dynamics, scale and force. This can be especially true when comparing a digital front end-- even the most expensive, to a state-of-the-art analog reel-to-reel, master deck or turntable.
The application of a loom of Omega-X digital cables evaporates these quibbles by removing obvious forms of digital format distortion. Perhaps the most noticeable effect is the absence of compression, along with an expansion of dynamic peaks and an organic silence that emerges as if from a cavernous well. The music ebbs and flows with transitional ease, punctuated by crystalline clarity and effortless micro-to-macro dynamics that may startle even the most seasoned listener.
The listener intuitively relaxes into the music, having forgotten about the reproduction chain before them.
And there is no mention on their page of the electronics they used to achieve this level of sound quality; attributing it to the cables alone! Just plug it in and *magic!*

