This is a fascinating youtube video of:
Unesco Goodwill Ambassador Herbie Hancock talks with Elvis Costello of how “Watermelon Man” when Mongo Santamaria infused #afrocuban rhythms to the song, Watermelon Man reached a whole new audience combining #jazz with #afrocuban music.
Mongo Santamaria was referring to a guaguanco (a subgenre of Cuban rumba) that in Cuban slang was called a guajira which is pronounced "gwah-HEE-rah". In late 1962, when Herbie Hancock temporarily filled in for Chick Corea in Santamaria’s band, Hancock played his new song "Watermelon Man".
When Santamaria joined in on the congas, he infused the track with this specific Latin rhythm, turning it into a massive hit. To see Herbie Hancock recount how Mongo Santamaria and trumpeter Donald Byrd helped shape the Afro-Cuban groove of ’Watermelon Man’.
Funny thing is, as a kid growing up, we called this type of latin rhythm a Boogaloo.
Latin boogaloo (or bugalú) is a 1960s musical genre born in New York City’s East Harlem, emerging from the blending of Afro-Cuban rhythms with African American R&B, soul, and doo-wop. It is celebrated for its bilingual lyrics, infectious "funky cha-cha" beats.
@curiousjim I hope you like this...
@stuartk,
Good on you on getting the Merason. I sold my Laiv Harmony µdac to save up for it’s big brother the Laiv Harmony dac.
And to @frogman, good to hear from you!