The Shinon Red did have suspension issues in one of the batches we received. That problem always showed up in the first few hours of play. This is why we started thoroughly testing every unit in house before shipping them out. Ensuing batches were perfect and no longer needed to be tested.
The boron cantilevers we used could be easily snapped as well but we considered it a good trade off because they sounded so much better than any other material we experimented with.
Interestingly we had a sample of a lower output version of The Red that sounded superior but my partner was sure Absolute Sound’s Harry Pearson would prefer the medium output version so that’s the one he took to Sea Cliff to audition.

