Tube Preamp with Full Featured Phono (both MM and LOMC with loading options).

@elliottbnewcombjr Yes minor hiss that requires your ear on top of a tweeter is a nonissue and can’t be avoided with the super efficient speakers. I had Audio Research LS15, LS16, LS25 and Ref1. That generation of ARC had a decent amount of hiss and I heard it when music wasn’t playing thru the not very efficient B&W N803s. When the music started I couldn’t care less. Modern ARC stuff and Rogue that I heard in my system were dead nuts quiet. 
In any case, when you’re listening to vinyl you’re already dealing with surface noise, statics, etc.

To obsess over minor hiss is not the best possible pastime. 

@elliottbnewcombjr 

"Do I detect an anti tube bias?"   Good one.  Actually, no real bias against anything audio, as I have learned over the years, many years in fact, and age-wise, I'm not too far behind you.  I did say an all tube phono preamp, as I thought that was what the OP was after.  I reread what I wrote last night, and while I had planned to say that outside of a hybrid design, SUT, solid state device, something like that. I, in full disclosure, had a few Jeppson's limited, full cask strength(130proof) Bourbon, and by the way, delicious, I might add, yesterday evening watching snl and writing this, I might have forgotten to mention the rest of my thoughts.  

I have been using low output cartridges since the mid eighties and my very first was a Supex 900 Super with its matching transformer(both I still own), amongst other devices like a P S Audio moving coil pre-preamp with three power supply options(also something I own in my museum of audio stuff stashed away somewhere).  I'm not an audiophile like many here, changing out equipment for the sake of change.  It wasn't that long ago that I was at Music Direct comparing phono stages from various companies, even BAT's top tube offerings, which today seemed to have gone solid state.  I once owned some OTL's that I ran my Quad ESL's with, a match made in heaven.  Regardless of price, the pure tube offerings made too much noise.   There is this one preamp from the early/mid seventies, a rather (exotic ?) unique all tube preamp that, while not all that pretty, was one impressive device with two phono stages that I believe Peter Moncrieff of International Audio/Video Review reviewed.  I just can't remember.  But someone I know owns or used to own one.  By the way, I have his review that came with the PS Audio pre-preamp.  He liked it but suggested replacing all the caps with Wonder Caps, but then he suggested that for every component.  Talk about ethics

I have had my Rogue RP-1 for quite a few years now. It's actually the one component I have had the longest outside my DAC, a Schiit Iggy, that's been on my rack for 10 years. No qualms and hopefully will upgrade to a RP-7 v2, later this year.

Never used the phono input, but the phono integrated is solid state. The RP-1 uses 2 - 12au7 tubes on output and I have accumulated about 12 pair, knowing that I will use 4 in the RP-7. The tubes are not expensive and easy to swap out, albeit there are 10 little screws. Never had any hiss problems, or any issue, and Rogue is in Brodheadsville, Pennsylvania. 

 @goodlistening64,

 " Never used the phono input, but the phono integrated is solid state".  

  How does that forward a discussion about an all tube phono preamp that can handle a low-output  MC cartridge?