"I know specifications are not everything, but compare the most expensive Ortofon with any DS Audio cartridge and be prepared to be shocked"
If by such a statement it is meant A/B Compare Cartridges in a End Sound Comparison used on the same audio system, which is a audio System costing close to £200K
No, I meant the exact opposite! I meant compare the specifications.
You have raised a lot of objections to DS Audio optical cartridges including allegedly poor quality control. Their specifications are tighter than TOTL Ortofon.
The one objection of yours that I can accept without hesitation is that their sound is not to your taste. If we all had the same tastes in sound quality, there would be more convergence in the systems we buy and life as an audiophile would be less exciting.
I am yet to read anywhere, a content that is convincing that a DS Audio Cartridge is a betterment over any other Technologies Cartridges
You might care to absorb this article from SoundStage! Hi-Fi | SoundStageHiFi.com - EMM Labs DS-EQ1 Optical Phono Preamplifier.
By way of background, you need to research Canadian brands EMM Labs and Meitner Audio, whose main claim to fame is digital, and in particular Super Audio Compact Disk (SACD), mainly for the professional market. Founder Ed Meitner's view is that the best audio reproduction is achieved from Direct Stream Digital (DSD)
“I’ll never make a phono stage,” Ed Meitner told me with flat finality. The fact that I was in the midst of a Skype call with Ed and his son, Amadeus, to discuss EMM Labs’ DS-EQ1 optical phono preamplifier was packed with an irony we were all studiously ignoring.
But as our discussion continued, it became clear to me that Meitner the senior views the DS Audio optical cartridge series (see my review of the DS 003 System) as so far above the archetypal magnetic cartridge that they’re not even the same species. So it’s not vinyl that Meitner holds in disregard, it’s the magnetic cartridges employed to scrape off its signal.
Meitner had kept his records, you see, but he no longer played them, viewing DSD specifically and digital in general as far superior playback sources. He’s spent a lifetime working with digital audio, riding far, far ahead of the wave with products like the Museatex Bidat DAC, originally produced in the late 1980s, and he’s moved forward with DSD as his touchstone.
Now there is no way that I am trying to convince you, @pindac, but I would like some clear air to share with others my personal excitement at finding an interesting alternative to the mainstream cartridges. I hope others might find my documented references to professionally written reviews and articles more convincing than anecdotes.
By the way, I was first alerted to DS Audio's cartridges by the designer and manufacturer of a turntable system from a European country that shares a border with your home country (my guess, anyway!). Hope that is cryptic enough for your taste ...

