Upgrade from VPI Scoutmaster


My Scoutmaster is now 21 years old, it is in great condition but I wonder if I could improve my analog experience.  I was pretty happy with the sound earlier but in the last year I changed the cartridge from the Koetsu Black to the Rosewood signature platinum and then upgraded the phono stage from the Sutherland Duo to the Dos Locos and each stage revealed a new level of musical content from the LPs so I am wondering if there is anything to be gained from a new arm and table.

(As an aside, if you have a low output, low resistance cartridge and the budget, AUDITION THE DOS LOCOS.  The most hyped up reviews scarcely do it justice IMHO.

My budget would be $10K +/- $2K.  I have contemplated the VPI Dragon and the Signature 21 'tables.  I have no idea which would be better and in each case I'd need to add a headshell weight because of the low compliance of my beloved Koetsu RSP.

Does anyone have suggestions regarding which, if either, VPI is a better match or if there is a different table & arm combo, in that price range, you would prefer.

The rest of my system is an LA4 pre, various amps  - SE 300B or 2A3 Elekit TU-8900, a Pass Labs XA25 or my own home brew PP 6SN7 - 300B Balanced, Rockport Atria II speakers - held together with Cardas Clear Reflection.   I listen exclusively to "classical" music, anywhere between the 11th and early 20th centuries.

I'd truly appreciate thoughts on how to get the best out of the cartridge.

retiredaudioguy

Many thanks to all for your thoughts.  I think staying with the VPI family makes sense, the Signature 21 appears to be the best I can do - I contacted Mat W. and he explained the sonic differences between the Dragon and the Signature.

Now, if I don't owe the tax man ....

 

Mat W. said that the Dragon has built in speed control so slightly better in that regard but the Signature 21 has the 10" Fatboy arm - to quote "The arm brings more authority, tonal density, and expressive phrasing — qualities that pair exceptionally well with a Koetsu and with classical material, especially strings, voices, and smaller ensembles"