Great you enjoyed the journey. Not sure about pro gear at home. It perhaps it is the source you use as reference. But pro gear has not gotten the gestalt correct when using real acoustic music as a reference. It tends to over emphasize the venue and details. Which I think is important in mastering... but not good for recreating the overall correct musical experience. It is very different purpose stuff. But many folks are looking for different experiences.
Hindsight after 45 years
Forty-five years as an audiophile chasing a state of audio reproduction, commonly referred to as audio nirvana, where music sounds indistinguishable from a live performance.
Forty-five years of being a student and practitioner of all things audiophillia.
Forty-five years of careful research and implementation.
Forty-years trying to achieve maximum fidelity, detail, and emotional impact.
Forty-five years of purchasing and rotating some really nice well regarded high fidelity equipment.
In hindsight, I wish I had taken a different path. I wish I had gone the pro audio route.
I live in Nashville; Music City. Where on any given day there are several different live performances within one city block and more all over the city. This is my reference.
Being a gear junky, I pay attention. Never have I seen a single piece of hifi used on stage. I see guitar amps, pa speakers, and eq’s.
Even bars and clubs play recorded music on pro audio equipment into large house speakers and the energy is fantastic even at lower volumes.
I’m not saying pro audio is better than hifi, there are many factors. It’s all subjective, relative, and dependent upon individual’s preferences and expectations.
Pro audio has come a long way in the last forty-five years, which may be why I didn’t find it practical for me years ago.
I’m just saying, if I were to start over now, I would go pro audio.
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- 35 posts total
- 35 posts total