I just saw a review of the R26 which suggests it can be brassy. I think that’s what I’m hearing. Crazy because I love most of it, I think I’m just sensitive to treble and will have to spend twice as much. Looking hard at Venus 12th Anniversary. But is that weird considering my streamer is a WiiM Ultra?
Would an external clock “help” in this signal chain?
My system sounds quite good to my ear. But I did spend a lot of time battling a harsh top end which I seem to be especially sensitive to. It’s now pretty great but I can’t help but wonder ‘what if??’ when I think back to all these components I’ve added and how each added to the overall character.
Specifically I’m considering an external clock (or two?) in this chain. Also curious about using a grounding block. Maybe something else?
Here’s the signal chain:
iFi LAN iPurifier (converts signal to fiber optic and back)
RJ45 Cat8
Uptone EtherREGEN
RJ45 Cat8
WiiM Ultra (is this a bottleneck? Thought about Holo Red)
USB
Singxer SU6
I2S
Gustard R26
XLR
Tube Pre
XLR
Buckeye Hypex NCx500
Wharfedale Linton 85th
Everything is run through a Synergistic Research Power Cell (scored it used and it still broke the bank).
Either iFi Elite or chinesium linear power supplies.
Power cords are Viborg.
Interconnects AudioQuest Cinnamon.
Thank you!
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I don’t think that’s too weird mainly because you have the SU6 in there. I’d consider going with this Pontus 15th as it’s reputed to be on the level of the Venus 12th and is a bit cheaper. Just a thought FWIW. https://www.audiogon.com/listings/lisbh16j-denafrips-pontus-15-da-converters |
Congrats! If you’re still hearing hardness after the Pontus is broken in it’s probably the amp you’re hearing. Incidentally you’ll wanna run an i2S connection from the SU6 to the Pontus, and I’d recommend this DH Labs HDMI cable in the 0.5m length as shortest is best for i2S. Look forward to your thoughts once things settle in after 100 hours or so. |
I actually have that cable running to my R26. Are they normally quite stiff? I bought it used and am always concerned of knock offs. The Hypex NCx500 has incredible detail but I know D class can be kinda hard/cold or perhaps just “dry”. Add to that a Sonic Frontiers Line 2 preamp and I’m probably neutral/clinical and do wish I had a bit more bloom/smoothness (warmth?) despite the Linton 85th loudspeakers. I’m probably just too used to tube amps and dirty power supplies and forgetting how far I’ve come. One more clue: the system loses some detail but gains a nice nuance with an SL1200 table, Archomat platter mat and retipped (sapphire?) Denon D103r. It’s run through > Parks Waxwing > RCA into Sonic Frontiers Preamp. I tried the optical out, coax and rca on the Waxwing into the Gustard and it doesn’t sound as good - stripped down overly clean or something. Just loses its soul. Another observation is that if I run the SU6 RCA to the SF preamp it just sounds congested vs XLR. The SF pre is known for greater clarity via XLR I’ve read and my experience attests to that too.
So as it stands I’d like to get a little more syrup on my digital plate. The Hypex brings so much to the party but if there’s anything to put on my radar I’m interested! Just in case the Pontus 15 isn’t the entirety of the equation! Thanks again:) |
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