But in my opinion toggling between DACs on the fly even with all cabling matching is at a minimum less than ideal way to compare DACs. This will only work if you are comparing a $200 DAC to a $5,000 one.
My conclusion is that our aural memory is short and the longer the time between our comparisons, the greater the opportunity for our predisposition toward a certain outcome to override what we actually heard, IMO.
I've purchased 10 DACs over different companies and in very wide price ranges (e.g. Wadia, Berkeley Audio, Bryston, SimAudio, Bricasti, RME, Topping, Mojo Audio, Meitner, Schiit, Weiss) over maybe the last 5+ years and always compare them with my current one before deciding to keep or just re-sell. For me, I've found some truth in both statements.
For even song-to-song comparisons I find I need to take per song notes as often each DAC highlights different things and I find it easy for me to get lost in the differences if I don't have something to refer to, like maybe 'strong bass' or 'recessed high frequencies', etc.. If after going through my standard 'Demo' playlist I'm on the fence then I use a longer time to adapt to each and ultimately make a decision over more prolonged listening (in days) for each.
I personally didn't find I needed to compare similarly priced DACs to hear differences in my system (fairly resolving with Magico S or Spendor D series tweeters...) though. e.g. RME ADI-2 FS vs (original AK4499) Topping D90 at the time were the measurement based darlings and the RME was something I could listen to long term with no fatigue but hear lots of detail where with the Topping I had to shorten my listening sessions and/or turn down the volume as I found it fatiguing, and returned it pretty much immediately.
The Yggy LIM to me with longer term listening sessions sounded very similar to the Meitner MA3, both very fatigue free and natural/relaxed sounding. I was initially thinking why spend the extra $$ to keep the MA3. But in song-to-song comparisons I could determine the LIM seemed to be many rows back in terms of hearing details in my demo recordings compared to the MA3, and decided the extra $$ was worth it to me for those extra details I liked hearing...
Now I have a Weiss that in both long term and song-to-song listening met enough check-marks for me vs the MA3 that I kept it and sold the Meitner.
Personally, with the well engineered DACs of today from many good companies at very reasonable prices, I wouldn't assume spending a lot more is going to give you a lot more enjoyment or sonic differences depending on your system and you hearing. With so many good sounding DACs I personally now prefer to spend my $$ on amplifier or speaker differences. That of course doesn't cover DAC prices related to internal streamers, high quality volume control, etc... Both the Berkeley, Bricasti, and Meitner sounded excellent to me driving my amplifier direct for instance which in theory could have allowed me to sell my preamp (but I slightly preferred it more in all cases :))...

