It’s not always big bucks but what goes best with other equipment.
that’s exactly right - it’s all about synergy
The law of diminshing returns?
Came across this article today, just wanted to share it for your perspectives. https://hometheaterhifi.com/blogs/expensive-dacs-what-exactly-are-you-getting-for-the-money/
I've purchased 10 DACs over different companies and in very wide price ranges (e.g. Wadia, Berkeley Audio, Bryston, SimAudio, Bricasti, RME, Topping, Mojo Audio, Meitner, Schiit, Weiss) over maybe the last 5+ years and always compare them with my current one before deciding to keep or just re-sell. For me, I've found some truth in both statements. For even song-to-song comparisons I find I need to take per song notes as often each DAC highlights different things and I find it easy for me to get lost in the differences if I don't have something to refer to, like maybe 'strong bass' or 'recessed high frequencies', etc.. If after going through my standard 'Demo' playlist I'm on the fence then I use a longer time to adapt to each and ultimately make a decision over more prolonged listening (in days) for each. I personally didn't find I needed to compare similarly priced DACs to hear differences in my system (fairly resolving with Magico S or Spendor D series tweeters...) though. e.g. RME ADI-2 FS vs (original AK4499) Topping D90 at the time were the measurement based darlings and the RME was something I could listen to long term with no fatigue but hear lots of detail where with the Topping I had to shorten my listening sessions and/or turn down the volume as I found it fatiguing, and returned it pretty much immediately. The Yggy LIM to me with longer term listening sessions sounded very similar to the Meitner MA3, both very fatigue free and natural/relaxed sounding. I was initially thinking why spend the extra $$ to keep the MA3. But in song-to-song comparisons I could determine the LIM seemed to be many rows back in terms of hearing details in my demo recordings compared to the MA3, and decided the extra $$ was worth it to me for those extra details I liked hearing... Now I have a Weiss that in both long term and song-to-song listening met enough check-marks for me vs the MA3 that I kept it and sold the Meitner. Personally, with the well engineered DACs of today from many good companies at very reasonable prices, I wouldn't assume spending a lot more is going to give you a lot more enjoyment or sonic differences depending on your system and you hearing. With so many good sounding DACs I personally now prefer to spend my $$ on amplifier or speaker differences. That of course doesn't cover DAC prices related to internal streamers, high quality volume control, etc... Both the Berkeley, Bricasti, and Meitner sounded excellent to me driving my amplifier direct for instance which in theory could have allowed me to sell my preamp (but I slightly preferred it more in all cases :))...
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@ddafoe I had Bricasti M3 when I tried Meitner MA3. I loved the more telaxed, easier flowing but more airy a detailed MA3. Unfortunately my plans for MA3 didn’t work out and I had to return it. I simply couldn’t appreciate the Bricasti any longer despite it being a really good DAC…it didn’t match the Meitner in my system. There are many factors in comparing components. I never had much luck flipping back and forth between DACs of similar high quality. |
@audphile1, I really liked my MA3, but I guess I would say its dynamics and resolution were not as good as some of the other (even much cheaper) DACs that I've tried. Like you I really appreciated its relaxed and smooth sound. The improvements you mention for the MA3i makes it sound like a killer combo and one I would likely love in my system. The MA3 and Mojo Audio were overall my two favorite DACs. With 3 kids about to head to college, maybe I can pick up a used MA3i in like 4 to 6 years :) Enjoy it! |